Showing posts with label San Francisco. Show all posts
Showing posts with label San Francisco. Show all posts

Monday, December 6, 2021

Ten-Year-Old Rising Star Shines at Caliroots Sessions: San Francisco

 




Streetwise Radio One on One with Kailash

Ten-Year-Old Rising Star Shines at Caliroots Sessions: San Francisco

By Shelah Moody


October 24, 2021.


“You know what we’re doing is insane right?”.

Photographer Lee Abel and I were on our way to cover an indoor reggae festival, Caliroots Sessions, at the Midway in San Francisco. Lee thought it was insane, not only because we would be in a massive crowd in the midst of a pandemic; but because we were going out in the throes of a storm; the most aggressive to hit the Bay Area in two years.

“Do you think we should turn back?” I asked.

Nevertheless, writer and photographer pressed on, masked up and shielding ourselves from large drops of rain and gusts of wind as we entered the sprawling Midway venue, bracing ourselves for what was to come.

I got the first sign that I was indeed supposed to be at Caliroots Sessions SF that afternoon when Jah Warrior Shelter sound system: King Ivier, Rocker Tee, and Irie Dole announced our presence and gave us a shout out soon after we walked in.

“Big up Lee Abel and Shelah Moody!”

I was still floating on the vibe of feeling like a rock star when I saw the second sign that I was supposed to be there. Chilling out with his parents in the green room was none other than Kailash; the 10-year-old, reggae phenomenon I’d been stalking on social media for months.

Wooing audiences with his hypnotic, angelic vocals, Kailash established himself on platforms such as Instagram, Facebook,  and YouTube singing covers of Peter Tosh’s “Can’t Blame the Youth,” Wailing Souls’ “Jah Give Us Life” and performing on stages across the country with his mentor, acclaimed reggae vocalist Don Carlos.

Reggae/Dancehall great King Yellowman, one of the headliners at Caliroots Sessions SF, is one of Kailash’s newest fans and Instagram followers.

At such a young age; Kailash demonstrates a strong command of vocals over percussion and bass, channeling pure roots of a bygone era.

Kailash’s parents are Mark Brumwell, who works in the biotech industry, and Thato Brumwell, a medical doctor. The family lives in San Rafael, CA. Incidentally, Mark started out as a huge reggae fan.

“I grew up in Key West, Florida, which has a strong affinity for all things the Caribbean, especially Jamaican culture,” said Mark Brumwell.

“It’s kind of ironic, sitting here looking at Yellowman because he was a key fixture touring through the Florida Keys when I was a young boy.’

Kailash has an album with Don Carlos in the works, and his website will be available soon. According to Brumwell, the key to raising a gifted child is having a strong family unit; a good mother in particular.

“Our family is all different pieces of a puzzle in terms of how we operate,” said Brumwell. “But if it was just me making the decisions on my own, I don’t know if I’d be making them as soundly as without having the guidance of his mother to help balance the decision-making process.”

knew that Kailash was musically gifted before he started to formally train with anybody, but his mother and I got him into a music school when he had just turned three. He couldn’t really talk yet, at least with an instructor. We worked really hard to get him into a music school in San Francisco when he was three.. He started to train formally on piano at age three. We also knew that he was gifted vocally, but we only had so much time and resources to dedicate to one thing. He studied piano, principally, for a number of years and he’s still studying. He has a vocal teacher as well.”

I spoke with Kailash prior to his performance with Don Carlos at Caliroots Session SF. Kailash was perhaps the calmest person in the room.


Streetwise Radio: What does your name, Kailash, mean?


Kailash: It’s the name of a mountain in the Himalayas.

Streetwise Radio: Tell us how you got into singing, performing, and reggae music,


Kailash: Well, my dad was listening to reggae ever since he was a child, so naturally, he instilled it in me. It started with me making videos playing our piano; my dad was playing the guitar and we had a whole drum machine. I feel like it all just happened in the blink of an eye. All of a sudden, we’re here now. It feels like a dream.


Streetwise Radio: Tell us about the musical training you had growing up in San Francisco.


Kailash: I’m part of the MTAAC (Music Teachers of Association of California) certificate of merit program. I take classical piano lessons and I practice every day.


Streetwise Radio: What are some of your favorite reggae songs?


Kailash: I can tell you that I do love listening to Yellowman’s album, “One Yellowman.” Right now, I’m digging the “Answer” riddim, particularly “Turn Me Loose,” by Al Campbell (Channel One). It’s one of my favorites.


Streetwise Radio: I know you are already successfully working at your craft now, but what do you want to do when you grow up?


Kailash: Keep being a musician, keep doing what I’m doing now.


Streetwise Radio: What’s it like working with Don Carlos?


Kailash: It’s absolutely awesome, I have to say! Also, I’ve been digging deep into Don’s history and listening to some of Don’s old songs. They are pretty fascinating. I’m listening to his “Harvest Time” album, and some of my favorite songs are, of course, the title track, “White Squall,” and “Hail the Roots.”


Streetwise Radio: Besides making music, what are your hobbies?


Kailash: I like going on bike rides with my parents. I like shooting basketball hoops at my school; they have a full basketball court. I also like playing kickball; it’s one of my favorite sports. Most of the time, it’s usually music.


To watch the full interview with Kailash at Caliroots Sessions SF, go to: https://youtu.be/ZLAvkMoAPUc


To see Kailash perform with Don Carlos at Caliroots Sessions, SF, go to: https://youtu.be/tCW2fndtEIA.

Friday, April 19, 2019

420 Day

                                             

                             Free 420 Hippie Hill Gathering in Golden Gate Park

420 Hippie Hill Gathering in Golden Gate Park

When
Sat Apr 20
Where
Golden Gate Park
Time
9am - dusk
Cost
Free
Tags
Marijuana / CannabisCommunity



4/20 at Hippie Hill is a San Francisco tradition said to date back to the1970's. Each year, tens of thousands of people organically arrive from all over to celebrate the use of Cannabis. This years celebration is very special as it marks the first year that cannabis will be legalized for adult-use in California, and the second year that the event will be officially organized in partnership with various city departments. 

See full list of events on Saturday April 20th here: 
https://www.sfstation.com/2018/04/13/bay-area-420-event-guide/

WHAT TO EXPECT
The event will remain free and open to the community
Dedicated Food area - Munchie Land!
Permitted food and retail vendors only
Unified sound system for background music
Increased amount of port-a-potties in & around the park & neighborhood. 
Added security in and outside the park
A fence to enclose the entire venue so attendees can be monitored to ensure compliance
Medical Emergency services: EMT & Ambulances on-site
Dedicated clean up crew for the Upper Haight and surrounding neighborhoods
Monitored entrances to the event area
No Minors under 18 allowed in event area

RESTRICTED ITEMS
The items listed will not be allowed in the event area.

Unpermitted Vending not allowed - permits must be obtained through event organizers. General street vendor permits not accepted. 
Tents, Canopies, Tables, or other structures
Coolers larger than 9”x12”
Barbecues or cooking equipment
Amplified Sound Equipment
Generators
Glass
Wagons or Carts
Drones / aircrafts
Weapons of any kind
Pets (service animals ok)

Street Closures:

"Please note that starting at 6AM on Friday, April 20th that JFK Drive between Kezar Drive and 8th Avenue will be closed to the public and vehicles, as well Nancy Pelosi Drive and Bowling Green Drive all the way to MLK Jr. Drive." via @RecParkSF

Map: https://twitter.com/RecParkSF/status/986687657005670400

More information here:

https://www.420hippiehill.com/

Is this a free event? 
Yes, this is a free event. 

What time should I get there? 
Gates open at 10:00 a.m. PST. We HIGHLY SUGGEST early arrival as entrances get congested in the later afternoon you do not want to miss the legendary moment. 

What time will the event end? 
All music and event programming will end at 5:00 p.m. PST, and all attendees must exit the official event grounds by 6:00 p.m. PST.

Do I need to bring proof of registration to the event? 
Proof of registration is not required. Eventbrite registration is not required. 

What is the age requirement to attend? 
You must be 18 years or older to attend the event. 

Can I purchase cannabis inside the event? 
Currently as the city still works to create regulations and ordinance around Cannabis events, sales of cannabis inside the event is prohibited. We strongly discourage patrons from buying any unlicensed untested product that they may come across inside the park. There are many great dispensaries all around San Francisco you can stock up at prior to the event. 

Can I bring my own Cannabis? 
Yes, you can bring your own cannabis into the event. We have a strict no glass rule, do not bring your glassware or glass storage containers. This is a safety precaution. One of our sponsors will be giving out free rolling papers! 

Can I bring food? 
You may bring food as long as it is not in large coolers or trays. We do not allow mass distribution or sale of food products. Any large amounts of baked goods or food items packaged for distribution may be confiscated by security at the gates. 

What if it rains? 
This is a rain or shine event. 

Can I bring my children?
No minors, regardless if accompanied by a parent or guardian, are allowed into this year’s event. Anyone under the age of 18 is prohibited from entering. 

Can I come in and out? 
Yes, This is a free event. You may exit and re-enter. 

Can I bring my bong? 

Only if it is not glass. For safety reasons we have a no glass rule.
        



Friday, June 10, 2016

BAY AREA NATIIVE HARRISON STAFFORD & THE PROFESSOR CREW EMBARK ON EUROPEAN TOUR, JUNE 24!






June 9- San Francisco, CA—Pleasanton, CA native Harrison Stafford and the Professor Crew proudly announce their summer European tour in support of their third roots reggae and dub masterpiece “One Dance.” Stafford, perhaps best known as the lead singer/songwriter for the roots reggae band Groundation, took a short break from the group to travel to Jamaica in September, 2015 to record “One Dance” with some like- minded souls—reggae greats Leroy “Horsemouth Wallace (drums), Errol “Flabba Holt” Carter (bass), Lloyd “Obeah” Denton (keyboards) and Big Ship Productions’ Dalton Browne (rhythm and lead guitar). Stafford’s longtime collaborator Roger Landon Hall is also featured on lead guitar. Stafford previously worked with this legendary group of Jamaican musicians, aka the Professor Crew, on two previous releases: “Madness” (CD, 2011) and “Throw Down Your Arms” (CD/DVD 2012).
Harrison and the Professor Crew kick off their “One Dance” tour in France on June 24 and will travel to Austria, Germany, the Netherlands, Belgium, Switzerland and Italy.
“Recording "One Dance" was an awesome experience, very magical,” said Stafford, who has been recording in Jamaica’s studios such as Harry J’s in Kingston, for more than 15 years. “I knew what to expect and how to run the sessions smoothly. These are masters; they have been recording this reggae music for more than five decades so they know how to get the job done right the first time. I knew if I did my homework and got the songs ready, we could record all the basic tracks in one day. So that is what we did, we recorded ‘One Dance’ in one day.”
Stafford, who also has a home base in St. Ann’s Parish, JA, experienced many touching and spiritual moments during the “One Dance” sessions.
“Every time I play music, it is touching and spiritual and with this crew of musicians; we are all instantly together as one energy,” said Stafford.

About the Tracks:

One Dance,” the title track and lead single, is a rare and upbeat ska-infused dance tune. Stafford selected none other than Alpha Boys School alumni and Studio One drummer Horsemouth Wallace. "One Dance" is a song that Wallace and Stafford first jammed on in Jamaica a few years ago. Harrison wrote this song as a nice easy chorus of "One Dance Baby!" while the verses spoke very deeply about political power struggles and the subjugation of the poor. The groove is heavy between Wallace and bassist Flabba Holt-- two legends of Jamaican popular music. According to Stafford, the ska influence comes from Wallace’s teacher Lloyd Knibbs, famed Skatalites drummer.

Giddeon" is a dancehall track; up-tempo and groovy, said Harrison. The mood is very serious and the message is about confronting one’s faults in a moment of judgment and payback for the wrongs one has done in life. It is also talking about world leaders bringing about division, chaos and devastation and how they will reap what they sow on this road of life.
Jah Shine” is both an up-beat disco rocker and a Nyabinghi chant. For Stafford, it’s all about the bridge: "Jah shine like the rainbow!" Lyrically the song addresses the corruption and hypocrisy within world religion and organized religions as a whole.
Morality” is delivered against a rockers back-beat. The song has a simple yet strong message, that good teachings, love and blessings will come back to rule the hearts of humanity if we adhere to a moral code.
“Young Dread” is ‘a roots reggae track “livicated” to activist Mario Savio. “He was one of the main reasons I wanted to attend Sonoma State University, as he was on the faculty there,” said Stafford. “However, sadly, Mario died suddenly of a heart attack the first semester of my freshmen year at SSU. I was able to say hello to him on a couple of occasions and that was a blessing for me. Mario Savio was one of the first leaders of the free speech movement in California and had a great following and several moving public speeches at UC Berkeley, just 40 minutes away from where I grew up. I have been a fan of his for many years and I had been moved by his ‘Operation of the Machine’ speech on the steps of Sroul Hall on Dec 2, 1964. The intro to ‘Young Dread.” a song about the future of the next generation and how we need our voices to 'roar like a lion,' was the perfect opportunity to use this quote from Mario Savio.”

California,” according to Stafford, is a ska-country tune. “I was hearing that Grateful Dead sound in this track, a real Californian sound,” said the raspy-voiced musician. “I love California; it's my home and my birthplace. There are lots of great works and music still to come out of this beautiful state.”
“Balance” is a reggae song pure and true; In Studio One style, said Harrison. This song is about good over evil and putting out that message of unity and love for all people.

One Dance” Track Listings:
  1. Jah Shine 2. Hush 3. Morality 4. One Dance 5.The Music 6.Young Dread 7. California 8. Giddeon 9. Balance 10. Dub Shine 11. One Dub 12. Dubbeon
About Harrison “Professor” Stafford
Harrison Stafford, perhaps best known as Groundation’s lyricist and front-man, is taking reggae music back to its roots. With 10 studio albums and countless world tours, Harrison is a veteran of the concert scene, having shared the stage with artists such as Ziggy Marley, Sting, Snoop Dogg, The Roots and Burning Spear on world stages such as Outside Lands Music Festival and the California Roots Music Festival. Harrison was dubbed "Professor" as many elder Jamaicans came to know him from his “History of Reggae Music” course he developed and taught at Sonoma State University (1999-2001). Harrison's first solo release under the name "Professor" began in 2011 with the release of the album "Madness" after his pilgrimage to Israel and Palestine. The album stands as a testament to the power of reggae music in the struggle for equal rights and justice. Harrison is currently touring to bring the history and the culture to the masses by way of his solo work under Harrison Stafford & the Professor Crew. From 2000-2012 Harrison produced a documentary film on the history of the Rastafarian movement and Reggae music; entitled “Holding on to Jah”. The film features exclusive interviews with the who’s who of Reggae legends including The Congos, The Abyssinians, Ras Michael, Rocky Bailey, Brother Samuel Clayton, Pablo Moses, Israel Vibration, I Jahman Levi, Countryman, and Winston McAnuff among many others. “Holding on to Jah” was a collaboration with his long time childhood friend, director Roger Hall, and the film was recently released on DVD and online streaming November 10, 2015.
Visit Harrison Professor Stafford on his website: www.harrisonstafford.com
On Facebook: https://www.facebook.com/Harrison-Stafford-45787388731/
On Twitter: https://twitter.com/HarrisonReggae
On Instagram: https://www.instagram.com/harrisonstaffordmusic/
On YouTube: https://www.youtube.com/user/reggaeprofessor
MEDIA CONTACTS: Susan Underwood-  ads@island-stage.com



Friday, September 20, 2013

Grammy Winning Reggae Singer/Songwriter Mykal Rose Illuminates the Stage with Sly and Robbie at Yoshi’s San Francisco







Grammy Winning Reggae Singer/Songwriter Mykal Rose Illuminates the Stage with Sly and Robbie at Yoshi’s San Francisco
Who: The Showdown Tour Featuring Mykal Rose Backed by famed Drum and Bass Duo Sly Dunbar and Robbie Shakespeare
When: 10:30 p.m., Friday, Sept. 20
Where: Yoshi’s San Francisco, 1330 Fillmore St., SF
Info: 415 655 5600, www.yoshis.com,
Story and Photos By Shelah Moody
           


Mykal Rose loves to sing. The former lead singer of the Grammy winning reggae band Black Uhuru said that he records at least five songs a day at his home studio in Florida. Known for his percussive tenor and his trademark “tu tu twang” and “ding ding woy” vocal riffs, Rose cannot discuss any of the Black Uhuru classics, “Shine Eye Gal” and “Whole World is Africa” without singing a few lines from each song.
            Michael “Grammy” Rose is gearing up for a U.S. tour with his former Black Uhuru band mates, Sly Dunbar (drums) and Robbie Shakespeare (bass)—a mini reunion.
            The “Showdown” tour hits Yoshi’s San Francisco on Friday, Sept. 20.  Rose said that he is looking forward to performing at the upscale venue that has hosted acts such as Natalie Cole, Angie Stone, George Clinton and of course, Sly and Robbie, (multiple Grammy winners in their own right who have produced everyone from Dennis Brown to Grace  Jones to No Doubt). Accompanying Mykal Rose and Sly and Robbie on the “Showdown” tour are acclaimed keyboardist “Bubbler” Waul and engineer Garfield McDonald.
            Black Uhuru (a Swahili word meaning “freedom) formed in 1972 in Waterhouse, Jamaica. Rose joined the band in 1977;  and together with Sly and Robbie, vocalists Puma Jones, Errol “Tarzan Nelson Duckie Simpson, became the quintessential protest band of the seventies and eighties, with revolutionary albums such as “Sinsemilla,” “Red” and “Chill Out.” In 1985, Black Uhuru made history as the first band to win a Grammy for Best Reggae Album for “Anthem.” With his deft songwriting skills and exotic vocals, Mykal Rose literally put Black Uhuru on the map. 
            “Reuniting with Sly and Robbie is the highlight of this tour,” said Rose, who left Black Uhuru in the mid eighties and established himself as a solo artist. “This is a show of the past, present and the future. After this tour, in 2014, we are going to do an album together.
            “Each and every one, stand guard, because this is gonna be a great show,” said Rose. “This summer, we played the Garance Festival in France, to 60,000 people. If Europe is ready, let’s see if the west coast is ready!”
            Mykal Rose was born on July 11, 1957, on what he described as a “Ben Johnson” day, a term commonly used by Jamaicans for days when the household has no money and food is scarse. Luckily, the circumstances surrounding one’s birth do not determine one’s destiny.
            Before joining Black Uhuru, Rose recorded as a solo artist for Jamaican producers such as Niney the Observer and Yabby You. Rose is a man who is keen on keeping up with all genres of music. His dream is to duet with soul songstress Keyshia Cole. One of his all-time favorite albums is Stevie Wonder’s “Songs in the Key of Life.” Rose recently got a kick out of watching Bill Cosby dance to “Spongy Reggae” on the Jimmy Fallon show—which exemplifies Black Uhuru’s influence on popular culture. Last year, Rose recorded a version of “Beat It” for Easy Star’s “Thrillah: A Reggae Tribute to Michael Jackson” compilation. Although he never met Michael Jackson, Rose said that he is a huge fan.
            “Yeah, mon, him great, oh Jah Jah,” Rose extolled in patois. “Michael Jackson went to the extreme with the music and gave the music justice when he sang. Yeah mon, him dangerous!” Rose could not resist singing a few lines from the Jackson/Paul McCartney duet, “The Girl is Mine.”
            One interesting fact about Mykal Rose is that he is an expert on holistic medicine. Rose has herbal remedies for everything from staying fit to getting over a cold, to personal hygiene  to fertility. For instance, he always carries fresh lemons, which he uses as an organic form of deodorant. Rose is extremely proud of his five children, one of whom is pursuing a career in nursing, another in civil engineering and another in music.
            Like conscious reggae artists of his era, Rose aims to make the world better for the youth.  Rose believes that Black Uhuru recordings should be available to students on college campuses for education and also for upliftment. His latest album, “Showdown Inna Bloody Town” addresses the global crisis of violence and gun culture. The album is extremely relevant in light of the recent Washington D.C. Navy Yard killings, the Sandy Hook Elementary school massacre in Newtown, Connecticut and other acts of senseless gun violence. For instance, producer Siahvash Dowlatshahi wanted to change the title of the Black Uhuru track “Youth of Eglington” to “Youth of Oakland,” due to the wave of violence in the city.
            “It looks like not even mankind can solve the crisis,” said Rose. “It’s like war upon war, and people want blood. We have songs like “Gunfighter,” about people who come to a party and break it up. A man fyah and everyone  run, gone, and the fun done. There’s a time for war, and there’s a time when people want to enjoy themselves.”
            There are also some creative dub mixes on “Showdown” such as “Bloody Dub” and Ethio-Jazz Version.”
 “This album is more Afrocentric,” said Rose. “It’s a different vibe for African brothers and sisters.”
            On a lighter note, at the end of our interview, Rose gladly entertained a fan’s curiosity about his famous dreadlocks, which he usually keeps under a hat or wrapped around his head like a turban.
            “When I let my hair down, it hits the floor,” said Rose. “It’s light as a feather, but heavy when it’s wet. That’s why I have to sleep on a king size bed—so that I can let out the whole of my dreads.


The Mykal Rose/Sly and Robbie Showdown Tour continues:
Sat Sept 21 Santa Cruz, CA – Moe’s Alley
Sun Sept 22 Santa Monica Pier
Tues Sept 24 Seattle, WA – Neumos
Wed Sept 25 San Juan Capistrano, CA
– The Coach House
Thurs Sept 26 Solano Beach, CA – The Belly Up
Fri Sept 27th Denver, CO – Casselman’s
Sun Sept 29thNew York, NY – B.B. Kings
Mon Sept 30th – Asbury Park, NJ – The Saint

Tues Oct 1st – Washington, D.C. – The Howard Theatre

Thursday, April 25, 2013

Julian Prolman and Ministry of Tomorrow Present Benefit and World Music Explosion in San Francisco, April 26



By Shelah Moody

Who: Ministry of Tomorrow presents Anthony B., Fely Tchaco and Sila

When: 9 p.m., Friday, April 26th,

Where: The Lodge at the Regency Ballroom, 1300 Van Ness Ave., San Francisco

Info: www.ministryoftomorrow.com, www.theregencyballroom.com

There will be a whole lot of shakin’ going on Friday, April 26 at the Regency Ballroom in San Francisco, when Ministry of Tomorrow presents three outstanding artists from the African Diaspora: reggae/dancehall super star Anthony B (Jamaica), award-winning “tribal pop” singer /songwriter Fely Tchaco from the Cote D’Ivoire and Kenyan AfroFunk star Sila, aka the James Brown of Africa.

Fely and her eight member band, featuring guitarist Freddy Clarke of Wobbly World, will open the show. Like Anthony B and Sila, Fely is known for her mesmerizing dance moves, and her set will include a workshop on the “booty dance” from her Gouro culture. 

 

The audience can expect a show they are not accustom to. I feel so great about this performance, and delighted that it is for a good cause. I saw Anthony B when I performed at Reggae on the River in 2005, seeing him again on this show and with Sila is special. I am grateful to be part of this line up. Performing tomorrow night is a blessing.

I recently had the pleasure of interviewing Ministry of Tomorrow’s enlightened young founder and promoter, Julian Prolman.

SM: What is the concept of Ministry of Tomorrow and the benefit?

Julian Prolman: The Ministry of Tomorrow, a San Francisco based entertainment production company, was established to present novel artists, whistle blowers, and thought leaders with alternative realities and solutions to foster a more just and civil society. Underlying the event production business is a fashion forward apparel brand; “Ministry of Tomorrow” that develops garments and accessories in disenfranchised communities to create fair wage and sustainable jobs that would likely not have happened otherwise. The Ministry of Tomorrow’s flagship project is located in Nairobi, Kenya just outside of Kibera, one of Africa’s largest slums. This project is a facility that the Ministry of Tomorrow built and sponsors ongoing. Tailors were recruited from within Kibera to produce designer men’s and woman’s bags in an effort to create sustainable livelihoods.
SM: How did you come about choosing the unique line up for the show, Fely, Sila and Anthony B?

JP: The decision to choose such a unique line up was inspired by the overall message of the Ministry of Tomorrow, which is to promote various social and environmental issues through music and fashion, and the artist selected promote a similar message of positive change.
SM: Where are you from originally, and what other events have you produced?

JP: My family is Moroccan, but I was born and raised in the San Francisco Bay Area. I have produced several events as a youth with artists such as, Andrea Nickitina, Equipto, Pep Love, Hieroglyphics etc. This will be the first event produced not as an independent producer but as a company which represents a conscious movement of bringing awareness to issues around the world through music and fashion.
SM: What impresses you about each artist on the bill: Anthony B, Fely and Sila?

JP: What impresses me about each artist is their unique sound and the message of positivity they promote through their lyrics.
SM: Do you have any other events in the works for this summer?

We have loads of events coming this summer. Not just music events but also speaker series. Our music events will be presenting major artists who all promote a similar message of positive change.

SM: What genres of music do you specialize in?

JP: The music I personally make myself is slowed down hip-hop futuristic R&B, but the artists that we promote are not specific to a genre of music but rather a genre of intention. We will be promoting shows to a range of audiences to promote the positive message of waking up and being aware of issues on this planet. We will be linking with major nonprofits and creating a platform for artists, activists and whistle-blowers to come to light. Our project in Kibera, shows how creating an income generating project can benefit a community and empower people. Our products represent not only high quality of fashion but also a way out of the slum for those who now have the opportunity to work.






Wednesday, March 13, 2013

Fantan Mojah



Everything Rastafari Promotions Presents Fantan Mojah in concert on Thursday, March 14 at Slim’s in San Francisco. The doors open at 8pm and the music starts at 9pm with opening acts Prestige, Zareb, and upcoming artist from Montego Bay, Jamaica, Jah Warri. The Master of Ceremonies is Spliff Skankin’ of KPFA. Fantan Mojah is being backed by The Dub Kronik Band. Slim’s is located at 333 11th St. in San Francisco and is an all-ages venue. For more information or tickets call(415) 255-0333 or 510-652-2168 or visit http://www.slimstickets.com/events

Owen Moncrieffe aka Fantan Mojah was born in St. Elizabeth Parish, Jamaica. To gain experience, he took a job working with a traveling soundsystem, and performed songs during sound checks. He adopted the name Mad Killer, in an homage to one of his favorite artists, Bounty Killer. After being exposed to the Rastafarian movement his music began to take on a more positive tone, and he was encouraged by Capleton to take the name Fantan Mojah.

Fantan Mojah is notable for being one of the new wave of contemporary reggae singers who prefer to include positive themes in their lyrics. Like some popular new reggae singers, he is a Bobo Ashanti. His faith is reflected in his lyrics, where some recurring themes are - praise for Jah and messages of Rastafari, positive portrayal of women, and condemnation of ill morals. This is a contrast to many popular dancehall artists, who encourage "slackness" in their lyrics, with boasts of sexual prowess and derogatory messages to women.

After performing at many popular Jamaican festivals, Fantan Mojah recorded several songs on popular riddims, and was signed by Downsound Productions. He released his debut full-length album ‘Hail the King’ in 2005. It has become a hit in Jamaica, especially the track "Hail the King", which has an accompanying music video.

Opening the evening’s music is Prestige whose powerful social consciousness, witty nature, and adept song writing ability has cast him in the prestigious position of leading the latest pack of Roots Reggae artists. With a slew of singles including “My Pride,” “Wi Nuh Trust Dem,” “I am Bless,” “Hot Stuff,” a collaboration with Anthony B and Little Devon, and his latest herbal anthem “Smoke Free,” Prestige has flattened thousands at some of Jamaica’s biggest Reggae events including Magnum GT Taylor’s Christmas Extravaganza, Portmore Fest, and the notoriously critical crowd at the annual Sting stage show with stage performances as compelling and uplifting as the morally poignant lyrics behind his music.

This is a true Rastafarian evening of music with uplifting, conscious music. The Rastafari movement, or Rasta, is a spiritual movement that arose in the 1930s in Jamaica. Today, awareness of the Rastafari movement has spread throughout much of the world, largely through interest generated by reggae music like the performers on this special show.

For more information contact Everything Rastafari Promotions and Productions 510-652-2168, or Slim’s 415-255-0333www.facebook.com/Jahwarri



Sunday, August 22, 2010

THE MIGHTY DIAMONDS TO PERFORM AT YOSHI’S NIGHTCLUB, 09/02

            THE MIGHTY DIAMONDS TO PERFORM AT YOSHI’S NIGHTCLUB, 09/02



The Mighty Diamonds, Jamaica’s premiere harmony trio, will make their debut at Yoshi’s Jazz Club in San Francisco on Thursday, Sept. 2.  Although they are known best for their roots reggae classics  including “Pass the Kutchie,” “I Need a Roof” and “Tamarind Farm,” the Mighty Diamonds—Fitzroy “Bunny” Simpson,” Donald “Tabby” Shaw and Lloyd “Judge” Ferguson are versed in all forms of music, from R an B to jazz and blues. The Diamonds will be backed by a stellar Jamaican ensemble called the Yellow Wall Dub Squad.
Who: The Mighty Diamonds
When: Thursday, Sept. 2, 10:30 p.m.
Where: Yoshi’s Jazz Club, 1330 Fillmore St., San Francisco
Tickets: $16/Adv, $22, Door, (415) 655-5600
For more information, check out the group’s website: www.themightydiamonds.net.
For interviews, contact Shelah Moody, publicist, at (415) 577-4445 or email smoodytone@aol.com.
For booking and management: Robby Oyugi,  (415) 308-5629 or email: ujamadesigns@gmail.com.



Mighty Diamonds Bio
As the Hope Diamond http://en.wikipedia.org/wiki/Hope_Diamond is a American national treasure, the Mighty Diamonds are Jamaican national treasures.
Every reggae fan has at least one favorite song by the Mighty Diamonds:
"Pass the Kutchie," "Right Time," "Master Plan"  “Tamarind Farm,” and the list goes on. Formed in Trench Town, 1969, Jamaica's premier harmony trio are currently
celebrating 40 years of making music, from the most militant roots reggae to
the sweetest lover's rock.
The Mighty Diamonds--Fitzroy, "Bunny" Simpson, Donald "Tabby" Shaw and Lloyd "Judge" Ferguson--know what soul is all about. The three reggae
warriors have risen from the poverty and despair of inner city Kingston to
become learned reggae ambassadors who have traveled throughout Europe, the
U.S., Africa and Japan spreading the gospel of harmony and emancipation from
mental slavery.
“Right Time,” The Mighty Diamonds’ breakthrough album on the Channel One label, elevated the group to rock star status in 1975. Produced by Joseph Hoo Kim, "Right Time" brought together the Jamaican musical elite such as Sly and Robby (drum and bass) and Ancel Collins (keyboards) generated hits such as "Africa," "Have Mercy" "Natural Natty," "Them Never Love Poor Marcus" and the reggae party album, "Pass the
Kutchie," which has been sampled by everyone from Lauryn Hill to Michael
Franti to Wyclef Jean.
With wisdom and experience behind them, not to mention more albums and
singles than they can count, the Mighty Diamonds are still selling out
venues around the world. Led by Tabby's ebullient tenor, their live
show is a journey through the African Diaspora from gospel to R&B to roots reggae and dancehall, including covers of songs by the Stylistics ("Country Living") Bob Marley, ("Get Up, Stand Up") Curtis Mayfield ("It's All Right to Have a Good Time") Jester Hairston ("Amen") and Alton Ellis ("Still in Love").
The Mighty Diamonds have appeared on a number of compilations including "Is it Rolling Bob? A Reggae Tribute to Bob Dylan" (Sanctuary, 2004), "Old to the New" A Steely & Clevie Tribute to Joe Gibbs Classics" (VP, 2002) and "Fire on the Mountain: Reggae Celebrates The Grateful Dead ("Pow Wow, 1996). During the Christmas season, the Diamonds' lively version of "Frosty the Snowman" (Ras Records) is a hit with young and old. The Mighty Diamonds are currently promoting their latest CD, "Thugs in
the Street," produced on their independent label, Street Corner Music.                   
In honor more than 40 years together as a vocal trio, the Mighty Diamonds received the Ragga Muffins Festival Award of Recognition on Feb. 21.
            Following their performance at the sold out 29th annual Ragga Muffins reggae festival at Long Beach Arena in Long Beach, CA, Fitzroy “Bunny” Simpson, Donald “Tabby” Shaw and Lloyd “Judge” Ferguson were presented with trophies on behalf on the festival and Moss Jacobs Presents.
            “The blessings are there, and we are here to share them; that’s the most important thing,” said Shaw, who has been the Mighty Diamonds’ lead vocalist since he was a teenager.
            In November, 2009, Congresswoman Yvette D. Clarke recognized the Mighty Diamonds with a Congressional Proclamation for their 40 years of hits and contributions to the music industry, when TSO Productions and the Coalition to Preserve Reggae Music held their 5th annual Reggae Culture Salute at Nazareth High School Performance Center, Brooklyn, NY. Check out the youtube link of the presentation: http://www.youtube.com/watch?v=CzCo0oxDoo0.
            Also in November of 2009, the Diamonds released a remake of one of their first hits, “Country Living” (originally done by the Stylistics) produced by the England based Simba on his Small Storm label and distributed by the High Times label. The recording features Shaw’s nephew, Wilburn “Squidly” Cole (drums) and Winston “Bo Pee” Bowen (guitar).
            The Mighty Diamonds have also released their latest single, "Special Lady," a remake of Ray, Goodman and Brown’s 1980’s ballad, on their independent label, Street Corner Music in 2009.  
In 2006, following their performance at Reggae Sunsplash in Ocho Rios, the Diamonds received a prestigious national award from former prime minister Portia Simpson Miller for their artistic contribution to Jamaican culture. 

Enhanced by Zemanta