Showing posts with label Reggae. Show all posts
Showing posts with label Reggae. Show all posts
Saturday, May 28, 2022
Wednesday, December 23, 2020
Royal Blu x Runkus - G (official music video)
Royal Blu And Runkus Remind You To Keep It “G” With New Single | ||
There has been quite a bit of talk surrounding the ever-changing nature of the music emerging from Jamaica these days. It is apparent that many artists and producers have been ‘colouring’ their music with not only the classic, traditional sounds of reggae and dancehall, but with other genres as well, thus creating something entirely unique. This ‘revival’ is no stranger to rising artist Royal Blu who is always ‘pushing the needle’ with his flows and sounds. The most recent product of this is “G”, a traphall song with an old-school dancehall classic beat at its core. The single features fellow Delicious Vinyl Island labelmate Runkus, and is produced by J.LL. The production of the beat came out of a conversation Blu and Runkus had when they were selecting riddims for a freestyle during a sound system show. “I instantly thought of the Stalag Riddim, and these lyrics ended up fitting perfectly on it,” Blu said. "So, from the reception it got at the show, Runkus brought up the idea to sample the riddim and have J.LL. produce it.” Blu describes “G” as a song encouraging people to keep their energy consistent throughout everything. “Since doing music professionally, there have been many naysayers and people who didn’t believe in my sound or image,” he said. “People who avidly tried to block me out. So I’m really just expressing how people can switch up based on success and try to be a part of the ‘bandwagon’.“ Along with the single, a video was shot on location at Blu’s alma mater, the Meadowbrook High School by director Fernando Hevia, and produced by the artists’ record label, Delicious Vinyl Island. It features cameos from fellow artists Leno Banton, Naomi Cowan, Courtni, Zhayna, Jamila Falaka and more. The single is set for release across all streaming platforms on Friday, December 18. | ||
Wednesday, June 10, 2020
Jubba White Interview
By Shelah Moody
Meet Jubba White. The prolific drummer and producer are one of the artists on the frontlines continuing to make quality music with conscious messages in the age of the COVID 19 pandemic. Streetwise Radio’s Creators Corner: A Chat With Grammy-nominated Reggae Producer Jubba White
On May 15, White dropped the reggae track, “Declaration of Rights,” featuring legendary Jamaican harmony trio, the Mighty Diamonds, and Aaron Nigel Smith. https://m.youtube.com/watch?feature=youtu.be&v=4CnEkCHzCUY&fbclid=IwAR3mcnjnXAymI9bRsw0zVlpWKjmkmTBkU1ZfvZksvxT7IilaAu3K0MNK-28. The video for “Declaration of Rights” focuses on the rights of every citizen to health care, especially during critical times. “Declaration of Rights” and “Concrete Jungle” are the first two singles from White’s upcoming album, “FREEDOM (the Declaration of Rights)” on his independent White Stone Productions label. White recently joined Streetwise Radio for an in-depth discussion.
Q: How have you, as a working and touring artist, been coping in the coronavirus pandemic. How has it affected your livelihood?
A: As a touring musician/artist, the COVID-19 certainly has affected my livelihood. The closure of borders and venues has impacted my most important income stream. However, whatever is happening, is making our work as creative people even more relevant at this time. A world in times like these, without any form of art, would be devastating.
Q: Tell us about your remake of the reggae classic “Declaration of Rights” and how it relates to the world situation today. Who originally recorded the song?
A: The declaration of rights has been one of my favorite songs by the Abyssinians (the original writers), but there was also a version done by the Mighty Diamonds, which was released in the 1980s. I have had the opportunity to perform their version with them a few times on tour in my earlier years. I developed a habit of paying tribute to the founding fathers and pioneers of reggae music, by choosing to cover songs by them that resonate with me. This time, it is “Declaration of Rights.” It is quite relevant today but more-so timeless; both songs are.
The marginalized and oppressed need a voice, and most times, that voice needs to come from those who are being oppressed themselves, but understand how to echo strength and resilience through their words and actions.
Q: Tell us about your experience touring and recording with the Mighty Diamonds?
A: My experience working with the Mighty Diamonds has been unforgettable, and significant. The very first opportunity I had to tour; the Mighty Diamonds were among the artists I was with, and I was a teenager. The impact those experiences had on me created the foundation for further development, which by my own interpretation, has been positive.
With that said, I feel very honored to be doing a project that they participated in.
Q: Give us a brief history of your musical background and how you ended up in the Bay Area?
A: My love for music started as early as three years old. I use to drum on pots and pans with utensils and sing loud in the home. At around eight years old, I was playing the drums in the church and singing at events. My dream was to play music and I took every chance I had to do so. After high school, I enrolled in Edna Manley College of the visual and performing arts (Jamaica), to study Caribbean, Latin American, and jazz music, but two years into college, my first opportunity to tour internationally came. This was great because it’s an experience I shared with friends I grew up playing music with.
We went on to tour together with several artists for years, in many parts of the world. We also had experience performing jazz and popular music in the tourism sector, where we performed in hotels. I’ve had the opportunity to participate on several successful projects in earlier years as a recording musician. Some of the projects that come to mind are: “Freeman,” by Burning Spear, (Grammy-nominated album of 2003), the “‘I Swear” riddim, released by 5th Element Records, and the “Overstand” Riddim by Pow Pow records. As early as 1997, I was a part of the support band for Bushman and in 1999, for Junior Kelly. Both were premier artists at the time. Both bands which I was a part of played an instrumental role in their live shows and some of their recordings. References may be found in the notes of albums such as “Signs” (Bushman), “Smile” and “Tough Life” (Junior Kelly).
Other popular singles included, “Ready to Party” by Voicemail and “Downtown Girl” by D’Angel. Both songs on the Champagne records label. “Music Alone” by Ginjah and “Calm Dung Yu Nerves” by Bescenta are also songs to mention.
In 2003, the idea to start a Dub project resulted in Dubtonic Kru; and the brand was established in 2006. As Dubtonic Kru, we toured to many places across the globe, —inspired and co-created platforms that helped in the resurgence of band culture in Jamaica and live music in general. Such events were the annual Bands Incorporated and the weekly Plug N’ Play in Jamaica. In 2012, after a few years of intense touring, most of the time spent was spent in the US. The decision was to have the family closer to where the majority of our activities were, and the place of choice was the Pacific NorthWest.
Q: Tell us about some of the current projects you are working on?
A: The current project is “FREEDOM” [the declaration of rights]. It’s an eight song ep, which also features Mighty Diamonds singing their version of “Declaration of Rights” featuring Aaron Nigel Smith on Abyssinians version of accompaniment. There are more in the works but right now, it’s about “FREEDOM.”
Q: What will the music industry be like in post-pandemic culture?
A: It’s hard to say, but so much has been moving towards a virtual world for so long. However, my experience shows me that human beings are meant to interact with each other, and music brings us together, but the virtual aspect of it will remain. It will continue to play a big role in what we do with continuous evolution.
Q: What’s the key to producing a great reggae song?
A: My personal opinion is, it has to be in you. You have to feel it in order to effectively create an emotional experience. It’s about connecting with emotions in a true way. However, some may judge a great song by its popularity, which in a lot of cases it’s true, but equally as much not.
Popularity most times have to do with effective marketing, which does make things easier when your product is considered good.
Q: Can you name some resources available to musicians in post-pandemic culture?
A: The resources that might be available to musicians, post-pandemic are already pretty much in full swing: virtual platforms and streaming. The tech industry has been at the forefront for over a decade and becoming even more relevant. Most platforms that offer such service and experience, are geared towards being some of our main resources for the future.
To buy or stream the “Declaration of Rights,” go to https://ingroov.es/declaration-of-right?fbclid=IwAR0A6AW5BrvqB6I4bQg6Calocm3Yaf3XypO5G9rGvbh78mmU6445xerHcfMhttps://ingroov.es/declaration-of-right?fbclid=IwAR0A6AW5BrvqB6I4bQg6Calocm3Yaf3XypO5G9rGvbh78mmU6445xerHcfM
Tuesday, October 29, 2019
The Evolution of Reggae's Royalty 1st Lady, UNA MORGAN
The Evolution of Reggae's Royalty 1st Lady, UNA MORGAN
MPR CONSULTING - Amid the 2015 historic Catch A Fire tour uniting Reggae's legendary families Morgan Heritage, Marleys and Riley's (Tarrus Riley), Morgan Heritage's 1st lady Una Morgan fell ill and removed herself from the limelight to focus on both her physical and mental health. And like a phoenix rising from the ashes, the accomplished daughter of veteran reggae crooner Denroy Morgan is now soaring to new heights.
Evolution: the gradual development of something
Growth, introspection, and faith has given the songstress a fresh outlook on her life, and her self-reflection gave birth to "Evolution", the lead single from her highly anticipated “Ragga Princess” solo album. “EVOLUTION is a testimony of my life until now. A lot of us as human beings have to go thru a rude awakening to really see what life is all about. We go thru challenges to find ourselves all the time. This song tells my story and I truly believe a lot of folks will be able to relate. I Am Ready!” EVOLUTION to da world!" - explained the effervescent singer-songwriter.
Produced by Hakim Abdul Samad and written collaboration by Una Morgan, Myzel Faison (Hood Pres), Jahdiel Morgan (Jah D), and Beada Briglia, the stirring single features rappers Hood Pres and Jah D alongside Una Morgan.
Didn't know who I was supposed to be
Didn't know who I was
Being the girl I thought I should be
Put my life on pause
At times I didn't feel right living in my own Mind
Evolution is now available on all major streaming platforms and digital outlets
https://smarturl.it/unamorgan-
Saturday, March 30, 2019
Love is in the House: Stephen and Mystic Marley Illuminate One Take Acoustic Jams Tour
By Shelah Moody
Stephen Marley’s One Take Acoustic Jams show is full of beautiful surprises.
March 16 was a great day for reggae music; as many Jamaicans were rejoicing at the return of Buju Banton, who performed his “Long Walk to Freedom” concert at National Stadium in Kingston after serving a nine year prison sentence in the U.S.
Many miles from Jamaica, across the sea on the night of March 17, St. Patrick’s Day,
another historical event took place in Berkeley, CA.
Grammy winning reggae artist Stephen “”Ragga” Marley brought his One Take Acoustic Jams Tour to the UC Theatre.
The first beautiful surprise was Marley’s 21-year old daughter, Mystic Marley, who opened the show. As a child, Mystic and her siblings would often join their father in stage at the end of the show.
Now a grown woman, Mystic took the stage as a solo artist, showing off her robust vocals and deft songwriting skills. Mystic’s vocals have the rebel quality of a Lauryn Hill and the sass of Stephen Marley’s long time backing vocalist, Rica Newell. (https://m.youtube.com/watch?v=f7q-B6ppceE)
After a short break, Stephen Marley emerged in a cloud of smoke and began playing the conga drums. The stage was beautiful lit in the Rasta colors of red, green and gold by creative consultant Nesta Garrick. A tapestry of Ethiopia’s ruler, Haile Selassie I, hung above Marley’s head and a gold statue of the Lion of Judah sat by His side.
Marley and his band opened with an Ethiopia-inspired instrumental, telling his story on the acoustic drums and transporting the audience from Africa to the Caribbean to America; and also channeling his iconic father, Bob Marley. (https://m.youtube.com/watch?v=424UWbAdq4Y).
“Greetings in the name of His Majesty, Haile I, Selassie I the first, Jah Rastafari!” Marley proclaimed.
“Love is in the house! Yeah!”
This set the tone for the rest of the show.
Another beautiful surprise: Marley was backed by some of finest musicians in the business: Grammy winning producer Lamar “Riff Raff” Brown on keyboards, Ranoy Gordon on guitar, Christopher Meredith on bass, Wilburn “Squidly” Cole on percussion and Nicholas Laraque on flute, saxophone and clarinet. (Marley and Laraque are the greatest collaboration since Branford Marsalis and Sting).
A beautiful surprise is that Marley’s One Take Acoustic Jams show is mildly electric, but just enough to give it a symphonic feel. But Marley’s raspy, gut wrenching voice has so much soul that it needs very little musical accompaniment. Like his father, Stephen Marley has a keen sense of harmony and his voice caresses a melody.
During the one hour minute set, Marley moved the audience with songs of freedom, songs of love and songs of redemption. Marley performed songs made famous by his father, including “Small Axe,” “Rainbow Country,” “Misty Morning” “All Day” and original songs from his award winning albums, “Mind Control” and “Revelation Part 1: The Root of Life” and Revelation Part 2: The Fruit of Life” Marley even sampled a bit of electronic dance music with “Revatuo Party.”
The show’s climax was brilliant. Laraque delivered a Rasta-funky clarinet solo while Marley chanted “Jungle Fever” and played the acoustic drums. Then, the band segued into “Bob Marley’ Could You Be Loved” and Marley called Mystic on stage to song with him. (https://m.youtube.com/watch?v=NSirDZb-DAw)
“This is my daughter!” !Marley beamed, after giving Mystic a huge hug,
“Yeah! Generation to Generation.”
After killing them softly, Marley brought the audience back to earth with his poignant ballad: “It’s Alright,” tapping into the ethos of a generation.
“I've been a stranger to myself
I've felt alone like no one else
I've seen the good suffer long
I've felt the power of love
I've made a way out, flew where to go
And what's it all for? I don't know
But it must be said, just so you know
That it's alright, it's alright, it's alright
Yeah yeah yeah yeah.”
I've felt alone like no one else
I've seen the good suffer long
I've felt the power of love
I've made a way out, flew where to go
And what's it all for? I don't know
But it must be said, just so you know
That it's alright, it's alright, it's alright
Yeah yeah yeah yeah.”
Another beautiful surprise: Marley hosted a paid meet and greet after the show at the UC Theatre after the show. Fans got the opportunity to chat with Marley and even take selfies with him. They walked away with an autograph poster and a copy of his latest CD: “One Take: Acoustic Jams.” Proceeds went to benefit the Ghetto Youths International Foundation, a non profit that Marley set up with his brothers.
Visit stephenmarleymusic.com
Monday, December 24, 2018
J Boog
Rose Petals Winter Tour 2019
The Catalyst
1011 Pacific Ave, Santa Cruz, CA 95060
7:00 PM
J Boog (Jerry Afemata), a reggae singer of samoan descent was born in Long Beach and raised in Compton, CA. He is the youngest of seven brothers and one sister who come from hard working parents that relentlessly instilled a strong cultured household.
Currently residing back and forth between Hawaii and California, J Boog has been working incessantly since the release of his debut album "Hear Me Roar" (2007). He followed that up with his sophomore album "Backyard Boogie" (2011) which topped the US Billboard Charts and iTunes charts in numerous countries. J Boog has shared his craft & has toured around the world: Europe, Africa, Dubai, New Zealand, Australia, The US & Japan all have felt the authenticity of J Boog.
Jerry helped pave the way for many Polynesian artists with the help of island music pioneer George "Fiji" Veikoso. The two met in 2005. They immediately clicked and created a sound that opened many doors for the Polynesian community. In 2008, J Boog joined Hawaii/San Francisco based recording & record label, Wash House Music Group Inc. Together they've been on a journey thats most promising with endless limits.
Shortly after that, J Boog teamed up with Yami Bolo & Gramps Morgan of reggaeʻs royal family, Morgan Heritage. They embarked on a journey to have J Boog witness the culture of Jamaican music & history. This being Jerryʻs first visit to Jamaica, he was completely overwhelmed & found himself working in historic studios: Bob Marley's "Tuff Gong Studio", Don Corleon's "Hit Maker Studio", Bobby Digitals "Digital B Studio", Shaggy's "Big Yard Studio" & Sugar Minott's "Youth Man Promotions". All very prestigious recording artists & compounds. He was constantly surrounded by several artists he had been influenced by and many of these artists where featured on his 2011 release Backyard Boogie. Backyard Boogie entertained a wide spectrum of reggae fans, old & new. It gave a variety of roots, r&b, lovers rock and good vibes. Hits included: Lets Do It Again produced by Don Corleon and Sunshine Girl produced by Gramps Morgan featuring Morgan Heritage front man Peetah Morgan.
The success of Backyard Boogie earned J Boog Best Entertainer Award at the 2012 Irawma Awards held in Chicago, IL. A year later, he dropped a 5 song EP called "Live Up" & a mix-tape collaboration with fashionista powerhouse Diamond Supply Co. His most recent EP "Rose Petals" (2016) peaked the US Billboards & iTunes Charts at #1 & was nominated for Best Reggae Album of the Year at the 59th Annual Grammy Awards. It featured hip hop mogul Snoop Dog & six time Grammy Award winner Stephen "Ragga" Marley. The Rose Petals EP was just a little foreplay to what would become his next full length album called "Wash House Ting".
A true student of music; you can catch J Boog on world wide tours across the globe, on radio interviews or in the studio working on new material. His humility has gained him true fans everywhere he goes while exercising, MUSIC IS THE ONLY UNIVERSAL TONGUE. Stay tuned....
Monday, June 5, 2017
What: 33rd annual Reggae On The River
Where: French’s Camp- 657 US Hwy 101, Garberville, CA
When: Thursday, August 3 thru Sunday, August 6, 2017
Why: A benefit for the non-profit Mateel Community Center and one of the best parties on the planet
How: Tickets available online at http://www.reggaeontheriver.com
Reggae On The River #33- August 3-6! Line-up Announced/ Tickets Available
On the weekend of August 3-6, the non-profit Mateel Community Center will present the 33rd year of Reggae On The River- one of the world’s iconic festival experiences. Set on the banks of the majestic Eel River and delivering the best in reggae and world music to the hills of Humboldt County, CA since 1984, the 2017 event will offer the next chapter in the ROTR legacy with global luminaries…
Slightly Stoopid, Assassin, Walshy Fire w/ Kabaka Pyramid, J Boog, Stick Figure, Lutan Fyah & The Riddem Rebels, Junior Kelly, Kabaka Pyramid & The Bebble Rockers, Ibibio Sound Machine, Dezarie, Culture featuring Kenyatta Hill, Ken Boothe, Perfect Giddimani, Warrior King & The Rootz Warriors, Nkulee Dube, Nattali Rize, Winston “Flames” Jarrett, Marla Brown, Prestige, Keida, Ojo de Buey, Sensimilla Dub, Mighty Mystic & The Hard Roots Movement, Yogoman Burning Band, Tatanka, Mystic Roots Band, Irie Rockers, Altar Tones, and a very special showcase with Woven Roots featuring JahDan Blakkamoore, Messenjah Selah, Army, Winstrong, Luv Fyah & Travis B- plus lots more… including DJs, sound systems, red hot guest artists, and one more highly-anticipated headlining act TBA!!!
The event will also showcase more than 60 vending/ non-profit booths, a lively KidLandia, and the camping, community, and irie vibes that made Reggae On The River famous. Discounted 3 and 4-day tickets are available now at reggaeontheriver.com- plus the Ambassador Pass for the ultimate in perks and access. You can also plan do things in style with an RV. RV space is limited, so act fast. Or, if you just crave some extra comfort while tent camping, consider making a reservation in our new Premier Campground, which offers grassy and mixed shade camping with direct access to the concert bowl.
Visit the festival website for the full story and start planning your Reggae On The River pilgrimage today. It’s happening August 3-6 at French’s Camp, in Garberville, CA- heart of the Emerald Triangle- and your higher vibration destination! http://www.reggaeontheriver.com
Thursday, May 11, 2017
CHRONIXX’S DEBUT ALBUM CHRONOLOGY TO BE RELEASED JUNE 30, 2017 (MAY 19 PRE-ORDER) Billboard Reveals Track Listing & Premieres Song “Skankin Sw
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Wednesday, April 26, 2017
Marjorie Kay
On April 14, 2017 Island Treasure Music will release it's second single of the year "Vision" which features the beautiful vocals of Marjorie Kay. The song is a Stevie Wonder original which was released on his 1973 album "Innervisions".
This Reggae rendition of "Vision" is produced by stellar bassist Glen Browne which features members of his Constructive Noise Band, distributed by Zojak Worldwide and is now available on Pre Order from the iTunes store.
ABOUT THE ARTIST
The modest and humble Marjorie-Kay is one of Jamaica’s most enchanting songstresses. Born in September, 1961, Marjorie-Kay is now in the prime of her life and is returning to the music scene with an intention to captivate the hearts of music lovers far and wide.
In her earlier years, Marjorie-Kay shared the stage with stalwart musicians such as Jackie Jackson, Desmond Young, Glen Browne, Mallory Williams and Carl Ayton, working at The Jonkunno Lounge. In the late 1970’s, Marjorie-Kay recorded her debut single “Someday We’ll Be Together” (A Diana Ross cover), produced by Lloyd Lovindeer.
In the early 80’s, Marjorie-Kay took a break from the music scene to nurture her family, while still making appearances in studio and on stage. Since her time at The Jonkunno Lounge, Marjorie-Kay has recorded several songs on the Island Treasure Label, with producer Glen Browne. Most notable among her recordings are cover song, “Baltimore”, and her soulful feature on Mutabaruka’s version of “Moody’s Mood”. With her passion for singing constantly burning bright, Marjorie-Kay has made appearances at choice venues and events such as Weekendz, Christopher’s, Redbones, Blue Monk, “Wellfest”, Desi Jones & Friends’ “Jazzin” and a host of other private functions.
Marjorie-Kay’s latest recording is a cover of Stevie Wonder’s “Vision”, produced by Glen Browne for the Island Treasure Label. Now working on an album to be released in 2018, Marjorie-Kay is sure to be a soothing addition to the music industry, with her love for roots reggae and flair for crooning a beautiful ballad.
Tuesday, March 14, 2017
Reggae Songbird Etana Headed to Kenya
Reggae Songbird Etana Headed to Kenya
After a moving and inspiring performance for International Women's Day in Jamaica, soulful songbird Etana is headed to Kenya to lend her voice for a concert and a cause.
The multi-award winner and newly independent artist is slated to perform at "Dobba Fest" on March 18th, 2017 alongside reggae stars Luciano and Richie Spice. A humble and excited Etana stated " My fans in Kenya have steadily been asking for me, so I’m looking forward to hearing my Kenyan people singing to me in perfect harmony."
With her memorable honey coated voice, Etana will perform from her vast repertoire of hits and classics, as well as new material such as her recently released stirring single "Know Who I Am", "..If you see me walking much lighter Oh that’s because I know who I am and if you see my smile getting brighter It simply means I do understand.." With it's heartening lyrics, the latter has already garnered attention and momentum on the airwaves, "The songs speaks of where we were as a people and where we are now and where I wish for us all to be as people. United and strong." - Etana. "Know Who I Am" has also delivered beautiful visuals in the form of a lyrical video.
As philanthropy plays an integral part of Etana's life, during her Kenya journey, the songstress will take part in a youth initiative organized by Brand Afrika for the government Ministry in charge of the Studio Mashinani project. " I will be involved in a couple of youth empowerment music workshops prior to the show. I am always willing to give my time to share and encourage the youths. "
Upon her return Etana will head back to the studio to put the finishing touches on her upcoming album, slated to be released later this year.
Sunday, March 5, 2017
Dubmatix
2017 JUNO AWARD NOMINATED FOR BEST REGGAE RECORDING (Canada’s Grammy’s) (7th Nomination / 2010 Winner)
The Canadian composer, producer, multi-instrumentalist and seven-time JUNO Award winner and nominee hails from Toronto but has carved out a massive following on the international stage. He is a recording machine, from his debut release Champion Sound Clash in 2004, the Toronto-born Dubmatix has gone on to produce and record over 500 releases (Albums, EPs, Dubs, Remixes)
His vast collection of recordings have garnered multiple music awards from all over the world including France, Portugal, Germany and the U.K., along with critical praise from the international music industry insiders and tastemakers such as BBC Radio's Don Letts, XM Radio USA, iTunes Canada & USA respectively who have recognized & celebrated Dubmatix' relentless inventiveness and creative style.
The accolades continue with yet another honour awarded by Billboard Magazine (September 2016 issue), who crowned Dubmatix "Is This Love" rendition as the #1 Bob Marley Remix of all time! To date, the track has garnered over 8 million streams & growing!
2017 is already shaping up to be another big year for Dubmatix' fans (2.8 million followers on Soundcloud and 270,000 on Facebook) as the prolific composer recently completed a remix for 2016 Grammy winners Morgan Heritage. The recently releases two-disc deluxe edition of "Strictly Roots" - contains the Dubmatix Blaze Up Remix of "Light It Up”, which is already receiving rave reviews from outlets like:
Big Shot DJ Magazine - "On his interpretation, the JUNO award-winning mixmaster maintains the original's infectious quality while managing to turn up the heat a few more degrees for maximum dance floor enjoyment
.".
Most anticipated this year, will see the composer extraordinaire Dubmatix, release a new album with legendary duo & 2017 Grammy nominated artists Sly & Robbie. The collaboration will be entitled "Overdubbed - Dubmatix meets Sly & Robbie" and is scheduled for release on Echo Beach in the summer of 2017.
Never one to stand still when he's not in the studio working on new material, his legions of fans can catch Dubmatix when he kicks off the 2017 touring season in April with a packed schedule of shows in France, Greece and the U.K.
http://www.dubmatix.com http://www.reggae-loops.com http://www.facebook.com/dubmatix http://www.soundcloud.com/dubmatix http://www.twitter.com/dubmatix
Over the years Dubmatix has worked with the Who’s Who of reggae legends Alton Ellis, Freddie McGregor, Pinchers, Sugar Minott, Willi Williams, Ranking Joe, Anthony B, Turbulence, Eek-A-Mouse, Horace Andy, Linval Thompson, Mykal Rose, Wayne Smith, Luciano, U Roy, Cornell Campbell, The Mighty Diamonds, Dennis Alcapone, Prince Alla, Lone Ranger and dozens more.
Gappy Ranks
Born Jacob Williams In Harlesden To A Jamaican Father And Dominican Mother, He Dealt With Numerous Obstacles After Leaving School. Once He Overcame These Issues He Joined Up With Childhood Friend And Fellow Artist Reddmann (Uk), And Was Enlisted Into The Uk Dancehall Collective Suncycle. Their First Album Titled Suncyle Included Ranks' Homage To His Home Town, "Harlesden". Their Second Album I Am Somebody Was Released On The Uk Label Jamdown Records. Ranks Left The Group In 2004 And Began His Solo Career. Nicknamed 'Gappy' Due To The Gap Between His Front Teeth, He Initially Worked Under The Name 'Daddy Gappy', Before Opting For The Cutty Ranks
Influenced 'Gappy Ranks'. In 2005 Gappy Ranks Was Featured On The Vice Law Entertainment Mix Tapes. That Same Year, He Won The 'Best Song' Award At London's Silk Awards For "Little Understanding", Released By Uk Reggae Record Label Stingray Records, Also In 2005, Ranks Contributed To The Single "What We Do" By Kray Twinz Featuring Twista And Lethal B, Which Charted Nationally In The Uk At Number 23. Ranks Performed Live At Earl's Court In Front Of A Crowd Of 17, 000 For The First Kiss 100 Awards. He Also Played A Full Uk Tour Which Brought Him To Cities Such As Manchester, Birmingham, And Newcastle. He Recorded For Former Uk Reggae Giants Jet Star Records In North West London Where He Became Assistant Engineer, Giving Him Time To Grow And Develop His Love For Music And Network Which Led Him To Work With Record Label Peckings. On 26 December 2009 Gappy Ranks Childhood Wish Was Granted, As He Performed At The Celebrated Annual Sting Event In Jamaica. He Began To Tour Throughout The World Starting With European Countries Such As France, The Netherlands, Italy, Germany, And Switzerland. In 2010 He Released His First Album Put The Stereo On On Greensleeves' Peckings Subsidiary. Ranks Was Nominated For The 2010 Mobo Award In The 'Best Reggae Act' Category. In 2011 Ranks Followed Up With His Second Album Thanks & Praise, This Time On His Own Hot Coffee Music Label, Which Was Distributed By Vp Records. Thanks & Praise Included "Stinkin' Rich" (Produced By Italian Producer Macro Marco), "Longtime", (Produced By Special Delivery) And The Title Track (Produced By Grammy Award-Winning Uk Producer Jazzwad) Gappy Ranks Has Since Toured And Performed Throughout Europe, The Us, The West Indies, And Australasia. His Tour Also Included Japan And On March 2011 He Found Himself In The Middle Of The World's Biggest Earthquake And Tsunami. The Disaster Claimed Over 20,000 Lives And Gappy Ranks Recorded A Tribute, "I Was There". Ranks Returned To The Uk And Was Featured On BBC’s Later...With Jools Holland, Performing "Longtime" And "Heaven In Her Eyes". That Same Year He Opened An 18 Date Tour Our In California, Nevada, Oregon, And Washington For Collie Buddz. He Has Performed At Legendary Venues Such As Bb King's In New York, The Roxy Theatre In Los Angeles, The Fillmore In San Francisco, The Jazz Cafe In London. He Has Also Been Billed For Worldwide Festivals Such As Summer Jam In Germany, The Glastonbury Festival In The Uk, And Best Of The Best In Miami. In November 2012 He Headlined His Own 16 Date Cookies Tour In West Coast USA, Canada, And Costa Rica, In 2013 Ranks Performed At The Raggamuffin Reggae Festival In New Zealand,
As Well As His Cookies Reloaded Tour 2013 Of The East Coast USA. June 2013 Saw Gappy Ranks Performing At The Sierra Nevada World Music Festival For The First Time. On 17 September 2013, His Third Album Shining Hope Was Released. In June 2014 Gappy Ranks Collaborated With New Zealand Hip Hop Producer PMoney On An 8 Track Ep Titled The Baddest; The Ep Was Recorded At Red Bull Music Academy In Auckland, New Zealand. The End Of 2014 Saw Gappy Ranks Collaborate With "Tom Chasten" Of The Legendary "Dub Club" In Los Angeles For A Ep Titled "Gappy Ranks Meets Dub Club" Released & Distributed By Top Us Record Label Stones Throw Records". Ranks Showed His True Passion As He Founded, Presented & Hosted His Music Festival Titled “Pelpafest” Which Showcased Over 30 Artists Such As Don Andre, Exco Levi, Omi & Braintear Spookie Just To Name A Very Small Few. The Festival Which Is Solely Focused On Rising & Unestablished Artists Has Since Grown Much Interest & Anticipation Worldwide. At The Start Of 2015 Gappy Ranks Has Released 19 Tracks On His Mixtape Titled "Mad Move" Which Has Quickly Gained Support Over Social Network, Radio & Dancehall Events. Unpredictably, Gappy Ranks Showcased His Own Sound System To The World Which Took The Name “Sound Gappy” With Over 1000 Doublets Collected In Record Time From Global Artists, Ranks Gave His Tuesday Afternoons To His Locals Radio Station Real Beat Fm In Which He Single Handedly Presented A Live Broadcast Show For 10 Months, Breaking New Music, Entertainment News & Artists Whiles Never Playing A Single Gappy Ranks Track. In 2016 With Numerous Single Recordings & Weekly Live Appearances Gappy Ranks Delivered His 4th Album Titled “Guide Me”. The Eclectic British Born Artist Has Hand Picked His 13 Tracks And Delivered, Compiled & Executed A Sure Classic Feeling Which Hits The Listener From The Title Track Guide Me Produced By Jamaican Column Zj Chrome Of Cr203 Who Has Worked With Some Of The Very Best In The Industry. With A Very Large Catalogue Ranks Embarked On His World Tour Tilted “Guide Me World Tour” Visiting The Territories Such As South America, North America, Europe, Australasia, Asia, West Indies, Central America, Canada & Africa In Which He Visited Of 8 African Countries & Documenting The Experience Compiled Into A 20 Minute Documentary. 2017 Has Gappy Ranks Aka Plea Lee Entering Another Time Capsule Within Music. A Sure Favourite For All Dancehall Patrons Alike - Ep Tiled “Pon Di Lawn” Gives The Listener A Journey Into The Fabric Of Sound System Culture Complimented With The Excellence Which Is The 1987 "Tonight Riddim" By King Jammy's Records To Name 1 Of 10 Featured Tracks From The 80S 90S Dancehall Era Ranks Plans To Surprise The Fans Of His Music With More Classic & Live
Appearances In The Near Future, Along With A Pon Di Lawn Tour & The Return Of PELPAFEST.
©2016 HOT COFFEE MUSIC | Hot Coffee Music HQ
Videos (mov/mp4) : Gappy Ranks - Baddest [Official Video] Gappy Ranks - Best Is [Official Video] Gappy Ranks - Carpenter [Official Video] Gappy Ranks - Had Enough [Official Video] Gappy Ranks - Longtime [Official Video] Gappy Ranks - Shining Hope [Official Video]
Tuesday, November 8, 2016
QUEEN IFRICA WILL RELEASE HER THIRD STUDIO ALBUM CLIMB IN 2017 ON VP RECORDS Damian "Jr. Gong" Marley Featured on Opening Track The Reggae Songstress Will Showcase New Album in NYC on Nov 16
The Jamaican award-winning singer, songwriter and social activist Queen Ifrica returns with her new studio album Climb in January 2017 on VP Records. The lyrical crusader calls for global change on the album and rallies comrades like Damian "Jr. Gong" Marley on the opening hip-hop tinged track "Truvosation."
She touches on key social issues throughout the album. The soul-tinged reggae track "I Can't Breathe" rails against ongoing police brutality in America; the ska flavored "Rebellion" name checks uprisings across several continents that have secured rights and improved the lives of many marginalized individuals. This sentiment is reinforced on "Battlefield", which warns "we never yield, its war on the battlefield, if you nah hear you ah go feel."
She also continues to uplift the younger generation. Queen's beautifully sung lyrics encourage perseverance during hard times on the title track and she reveals two of her greatest motivational sources, her mother and grandmother on "Ask Me Granny." On "Black Woman" she implores young ladies to know their worth and not be swayed by objectifying trends in popular culture.
"These songs come to me as I am watching the world; I see myself as a social worker that uses music as my tool because music is the greatest weapon to impact societal change, to help young people to understand themselves more," Ifrica says.
On November 16, 2016 in NYC, Queen Ifrica will be performing select tracks from the album to give fans a taste of what is to come. The intimate live show will be held directly after the launch party for Jamaica's renowned Rebel Salute music festival at Milk River in Brooklyn, NY.
Queen Ifrica
Swooping in from Montego Bay, Jamaica, Queen Ifrica has taken the reggae scene by storm with hits like "Randy," "Boxers and Stockings," "Jus my Brethren," "Below the Waist" and "Daddy" as well as more recent singles like "Love Is Not Blind" and "I Can't Breathe." From her humble beginnings of winning talent contests to joining the Tony Rebel's Flames crew in 1998, she has blossomed into one of the genre's top cultural artists with her roots firmly secured in the Rastafarian faith. Climb is Ifrica's third full-length album, following Montego Bay (2009, VP Records) and Fyah Muma (2007, Flames Productions).
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