Showing posts with label Sierra Nevada World Music Festival. Show all posts
Showing posts with label Sierra Nevada World Music Festival. Show all posts

Wednesday, July 3, 2019

Community Mourns Loss of 2019 Festivals: Reggae on the River and the Sierra Nevada World Music Festival





By Shelah Moody


“Reggae on the River and the Sierra Nevada helped to groom me into the musician I am today. It saddens me to lose such dynamic festivals/reggae family gatherings as these.” —Alreca Whyte, Groundation the Next Generation 
  

          “Reggae on the River has been canceled. Refunds will be issued to all ticket holders within 10 business days.” 
     This is the message that currently pops up when you log on to reggaeontheriver.com. 
        On June 17, it was announced that Reggae on the River 2019, which had been scheduled for Aug. 2-4, at French’s Camp Piercy in Redway, CA,  had been canceled. 
           Reggae on the River was established in 1984 as a benefit for the Mateel Community Center, which had been ravished by fire.     
           In 2018, Reggae on the River Festival announced a  new strategic partnership with the country’s leading marijuana magazine, High Times Productions,  to grow the iconic music and culture celebration.
         “High Times had exclusive right to produce the event as of 2017, so it was their decision wholly to cancel the event,” said Eryn Snodgrass, Mateel Community Center board treasurer, and production assistant. “They didn’t provide us with a lot of reasons, but from what we can gather and from what they told us, they were facing another large loss in spite of their efforts. It really came down to, they weren’t getting the ticket sales and the interest and the support of the community for them to produce the show.” 
          A key question remains: will Reggae on the River 2020 and subsequent festivals take place?
          “We at the Mateel are certainly hoping that we can carry it on in one way or another,” said Snodgrass. 
“We have to get out of our production contract, and (High Times) has indicated that the Mateel might have the option to do the festival again, wherever it might be. They’ve indicated that they want to do what’s best for the Mateel, for sure. I can’t really speak beyond that, because we are still in the contract with them.” 
       Snodgrass said that the Mateel community will indeed produce an event the weekend of Aug. 2-4 2019, called “Reggae Legacy,” a tribute to one of Reggae on the River’s founders, Carol Bruno, who passed away this year.  
          “This event will be in honor of Carol Bruno’s life,” said Snodgrass. “We wanted to honor Carol and everything she did for Mateel and Reggae on the River. It will be flown under the “Mateel Forever” banner. It will be billed as “Reggae Legacy,” and you can look at our Facebook page, https://www.facebook.com/mateel/
for all the breaking news. We’ve just announced Toots and the Maytals for Sunday, Aug. and we will be announcing the headliner for Sat. Aug. 3 on Wednesday, July 3. It will be back to back nights at Mateel Hall.”   

Image may contain: text that says 'MATEEL FOREVER SUNDAY AUGUST 4 Reggae TOOTS & THE MAYTALS Legacy SATURDAY AUGUST 3 PYRAMID &THE BEBBLE ROCKERS MATEEL HONORING THE LIFE OF Carol Bruno COMMUNITY CENTER CA'

     At press time, High Times could not be reached for comment.
     The cancellation of one of Northern California’s most popular music festivals marks the end of an era.  Since 1984, Reggae on the River, a three day summer celebration, has presented the best in music including the Marley family, Lucky Dube, Steel Pulse, Toots and the Maytals, Beenie Man, Groundation, Fenton and the Reggae Angels, Johnny Clegg, Marcia Griffith, Lady Saw, Judy Mowatt,  Oliver Mtukudzi and more.  




 It was indeed a sad day for musicians, performance artists, writers, photographers, producers,  stage managers, sound engineers, vendors volunteers and especially concertgoers and campers. Naturally, the loss of revenue generated by the festival will impact not only the Mateel Community Center, a non-profit, but also hotels, restaurants and other local businesses near Redway.
   



  Sadly, a few months prior to the cancellation of Reggae on the River, the organizers of Sierra Nevada World Music Festival, held annually in Boonville, CA during Father’s Day Weekend/Summer Solstice in June, announced its cancellation. (www.snwmf.com). Sierra Nevada, which had been going strong for 26 years, was canceled this year due to the illness of its founder and organizer, Warren Smith.




  The 2019  Island Reggaefest, (https://www.islandreggaefest.com/) an annual celebration of Caribbean and Pacific Island culture which had been going strong for seven years in Santa Clara, CA, was also canceled.  





         “Reggae on the River was THE place for young and old to gather and celebrate the awesome powers of reggae music.” said Harrison Stafford, founder and lead vocalist of Groundation.  “I can remember going to the festival throughout the 1990s as a place where like minded people witnessed great performances by the legends straight out of Jamaica. This fueled me personally through high school and into university where I would form the group Groundation and eventually in 2003 we would perform for the first time at Reggae on the River. Later,  I would meet Carol Bruno and other members of Mateel Community and they would partner with us on local shows in the Humboldt area. Reggae on the River was an iconic festival that stood as the cornerstone of reggae music in the United States. Now it’s like, if Summer Jam In Germany or Rototom in Spain were to stop, there would be a hole, a vacuum we’re once thousands of soul searching people would gather in the name of unity and love through the magic that is Reggae music...today in Northern California,  we are a people without a festival
           Other  roots/reggae festival devotees, like singer Alreca Whyte, who has performed at both festivals with acts such as Sister I-Live, Fenton and the Reggae Angels and others, feel the loss.
 “I used to relish in the ability to be starstruck for a weekend. I remember planning my vacations to Jamaica so I'd always be here the first weekend in August for Reggae on the River and fit Sierra Nevada  in as well. I used to be frolicking around backstage with the other youth my age and hailing up the grownups like Della and Ralston Grant, Carol Bruno, who always greeted me with a smile and hug, MC Rocky Bailey, Jah Son—names are too many to mention. Reggae on the River will be greatly missed.” 


      Many veteran journalists such as Carmelita Harris, producer of Irie Vision TV reggae show, and Michael Ealey of Streetwise Radio would faithfully make the pilgrimage to Reggae on the River and  Sierra Nevada each year, documenting each act and attending press conference between sets.



        Harris said she noticed that Reggae on the River 2018 was challenged by a lower attendance rate and lack of security in the media parking area, which led to a renown photographer getting her equipment stolen. Harris said she will miss filming the international as well as upcoming artists that Reggae on the River presented. Harris said that despite last year’s shortcomings, Reggae and the River is still her favorite festival.
             Beverly Shaw, aka Sista Irie, a writer, photographer and radio personality from Austin, TX, has traveled hundreds of miles to cover Reggae on the River and Sierra Nevada.


          “The  2019 cancellation of two major U.S. roots reggae festivals does tremendous damage to our country’s ability to enhance and sustain the progress made in the past 25 years,” said Shaw. “Overall, the U.S. remains sadly deficient compared to Europe, Japan, and other countries in its ability to support the roots reggae message.
          “Reggae on the River and the Sierra Nevada World Music Festival ensured an ongoing education regarding the cultural roots of the original creatives. This process is critical to the future understanding and acknowledgment of reggae’s cultural evolution.”
      Perhaps more than anything, Reggae on the River was a communal experience, where people would gather to share music and good vibes, sharing food, water, rides and camping spaces and of course, stimulants such as ganja. The same with Sierra Nevada.
          “I started bringing my children to Reggae on the River as my family grew so they, too, could frolic with the youth their age,” said Whyte.
            “It was like a family tradition. It was such a part of the normalcy of life for me that their cancelation leaves a part of me empty. With the recent loss of some of reggae's great artists and musicians, this is just another blow to the conscious California vibes that we have all come to love. I grew musically because of these festivals. They were platforms that put normal girls like myself from my tiny seaside town in Belmont Westmoreland, Jamaica and put us in front of huge audiences. Reggae on the River and the Sierra Nevada helped to groom me into the musician I am today. It saddens me to lose such dynamic festivals/ reggae family gatherings as these.” 
         According to Shaw, Reggae on the River and the Sierra Nevada provided an atmosphere much like a family reunion where business, entertainment, and spiritual healing came together in a spirit of upliftment sorely needed in today’s times. 

          “I pray both festivals will find solutions in a spirit of one love and unity,” said Shaw. “In particular, I pray for the improved health of Warren Smith who devoted his life, along with wife Gretchen, to give us 25 years of unforgettable memories.”

Friday, June 21, 2013

Stage and Screen Star Sister Carol Performs at Sierra Nevada World Music Festival’s 20th Anniversary Concert Story and Photos By Shelah Moody


Sister Carol performs at 8:40 p.m., Friday June 21st on the Village Stage at the 20th Annual Sierra Nevada World Music Festival, June 21-23, Mendocino County Fairgrounds, Boonville, CA, www.snwmf.com.
Sister Carol East is a Grammy nominated DJ/singer, songwriter, who grew up in Kingston, Jamaica and Brooklyn, NY. She has performed at festivals and top venues around the world; her albums include “Mother Culture,” “Call Me Sister Carol,” “Empressive” and “Lyrically Potent.” Representing woman dreads on the big screen, Sister Carol appeared in Jonathan Demme's films, "Something Wild," “Married to the Mob,” (where she played the proprietor of a hair salon) and "Rachel Getting Married." Sister Carol recently launched her own clothing line, Black Cinderella; and she also nurturing the music career of her daughter Nakeeba Aminyea.


This weekend, Sister Carol helps kick off the festivities at the 20th Annual Sierra Nevada Music Festival in Boonville, CA. Ironically, also performing at SNWMF is one of Sister Carol’s mentors, Errol Dunkley, whose hit song inspired her moniker, “Black Cinderella.”
This spring, I caught up with Sister Carol backstage at the Independent nightclub in San Francisco, after she opened for Mykal Rose. The focus of our conversation was hair; dreadlocks in particular in relation to Rastafarian philosophy and popular culture.
“Well, when it comes to hair, we love to celebrate it in its most natural state; it’s most natural beauty. As a Rastafarian, I and I follow the codes of the Bible, the Nazarite vow not to cut or shave any corners of your hair. That’s where the dreadlocks (concept) comes from. Ever since I was a youth, I always wanted to have dreadlocks, but I couldn’t have them in my parents’ house; they wouldn’t have it. Why not? Because they are like, Catholics and Methodists; and in my heart, mi a Rasta but mi haffe keep it quiet because mi can’t bring it inna the house. So as soon as I was old enough and on my own, mi just start grow mi locks. It gave me a sense of freedom. They are my antennas, picking up all the frequencies from the cosmos. I feel like they give me a sense of power, because the longer they get, the stronger the vibration gets. I just love my hair, because I don’t have to do anything to it. I just wash it; and I’m good. I don’t put oils or pomades on my locks themselves; I just grease my scalp, because the scalp is like the root, and once you water the root, it doesn’t matter how tall the tree is, the water will get to the top of the tree, just like the oil in your scalp will get to the very tip of your locks. Dreadlocks were around long before I got here. I’m just carrying it on. The revolution started in Kenya with the Mau Mau Warriors, and the rebellion came with their hair, with dreadlocks to show that they weren’t down with the system. I’m just carrying on the heritage of my ancestors. Some say that Samson, in the Bible, was a dreadlocks, yeah mon, all of the strong black men inna the Bible were men with some big dreadlocks—Solomon, King David all of them. You never see a bald head Jesus yet.”


Follow Sister Carol on her website: www.sistercarol.com.
On Facebook: https://www.facebook.com/sistercarol.east?fref=ts

Saturday, March 9, 2013

Reggae Legends, Rising Stars Shine at the 2012 Sierra Nevada World Music Festival


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By Shelah Moody
Photos by Shelah Moody and Michael Ealey
For the past 19 years, promoters Warren Smith and Gretchen Franz have presented some of the finest in reggae, global and indie music at the Sierra Nevada World Music Festival, one of California’s most beloved summer events. Each year, people travel from all over the world to attend the three-day festival easily recognized by its--initials, SNWMF.


Marking their seventh year at Mendocino Campgrounds in Anderson Valley, Booneville, CA, SNWMF continued the tradition; presenting with wildly popular acts such as Third World, (Jamaica) Jimmy Cliff, (Jamaica), dub poet Linton Kwesi Johnson (UK), Katchafire (New Zealand) and Luciano (Jamaica) during the weekend of June 22-24. SNWMF 2012 also celebrated the unsung pioneers of reggae such as Sister Nancy, Della Grant and the Twinkle Brothers and Prince Alla; and showcased rising stars such as Cherine Anderson, Romain Virgo and the iKronik band. 


I have followed the Sierra Nevada World Festival from three sites, since 1995. Along with hearing some incredible music and grabbing some exclusive interviews, I’ve fallen in love near the waterfront at SNWMF, formed long lasting friendships and eaten the best handmade chocolate dipped ice cream bar of my life. What a party!
For me, one of the highlights of SNWMF 2012 was watching Grammy-winning singer/songwriter/ film star Jimmy Cliff. You never get tired of watching his lithe, agile frame move across the stage and hearing his ethereal tenor soar across the venue. The Godfather of Reggae, who also appears in the wildly popular documentary “Marley,” performed his some of his biggest hits “Reggae Nights,” “The Harder they Come” and “You Can Get it if You Really Want.” Cliff introduced new material from his latest punk and ska influenced album, “Rebirth,” produced by Tim Armstrong. (Armstrong describes Cliff as one of the greatest songwriters of all time).
When I spotted another real life movie star, Leon Preston Robinson IV, aka Leon (“Five Heartbeats,” “Cool Runnings,” “All the Right Moves”), in the crowd I jokingly asked him what he was doing out of Hollywood. “I thought this was Hollywood,” he replied. 


Another highlight was watching Jamaica’s all-star iKronik band, featuring Rolando “Phanso” Wilson (drums), Isaiah Palmer (bass), Dwight “Duke” Dawes, (keyboards) Wendel "Junior Jazz" Ferraro, (lead vocals, guitar) and Junior “ KavaJah” Johnson (vocals, guitar, keyboards) bring their dream of becoming a successful recording and touring solo act to fruition. On opening night, iKronik performed original songs from their upcoming album including “Ride On” and “Clean Heart.” iKronik also worked extremely hard that weekend as the backing band for many of the artists on the bill.
Our performance at SNWMF was very significant to us because it was the first festival that iKronik performed on doing our own set and getting great feedback,” said Dawes.
We enjoyed sharing our original material with the patrons. It was a thrill to see them responding to these songs that are new to them. We also enjoyed playing for all the other artists Luciano, Cherine Anderson, Prince Alla, Romain Virgo, Sister Nancy and Perfect. We all have favorite songs by these artists and it was a pleasure working with them.”

SNWMF marked the return of the man with the velvet baritone, conscious reggae singer Luciano, as Sunday night’s closing act, who delighted the audience performing somersaults on stage and delivering his string of hits such as “Who Could it Be Now, “There's No Love” and “Give Praise to Rastafari.”
Jamaica’s reigning queen of reggae/dancehall/soul, Cherine Anderson proudly represented Jamaica during the year of their 50th Independence Anniversary. During a media conference the SNWMF press tent, Anderson, who was influenced by Whitney Houston and Lauryn Hill, sang a beautiful a cappella version of her new single, “Eagles and Doves.”
Anderson spoke about her struggles to get the song released and her commitment to producing conscious, motivational, message music as opposed to following formulas and trends. Anderson, who comes from a family of all girls, also spoke of the importance of women supporting each other. A protégée of the Grammy winning drum/bass duo Sly and Robbie, Anderson rose to global attention after co-starring in the Jamaican film, “Dancehall Queen” (1997), in which she played a sexually abused teenager. As an advocate for children, Anderson founded the Reach One Child Jamaica foundation, which provides motivation and scholarships to Jamaican youth, in 2003. Children love Cherine Anderson; it seems that that each time she performs at SMWMF, she is mobbed by groups of wee folks for autographs and photos.




When I saw Cherine Anderson perform, I was blown away; at that moment; knew why I given up a chance to see Anita Baker and Bobby Brown live that weekend in order to attend SNWMF. Backed by singers Peter Gayle and Jasmine Lue, Anderson demonstrated confidence, sensuality, style and warmth on stage.
Anderson, who described herself as an eighties baby, payed homage to imprisoned reggae artist ( and Grammy winner) Buju Banton with her own version of “Til Shiloh.” During her performance of another Buju Banton hit, “Movie Star” (originally recorded by Delroy Wilson), Anderson jumped off of the stage to touch hands with her fans in the audience and make each one feel special by personally singing to them.
The lyrics of her composition, “Eagles and Doves” capture my overall feelings of SNWMF 2012. Check it out:
Eagles & Doves written by: Cherine Anderson, Produced by: Shadow & Dream Queen
They don’t know my story; They don’t know a thing about me who are they to judge me
See my glory; but they never see my pain
People talk don’t faze I am not afraid of words that cannot break or harm me
Watch me rise no time for haters on my plane
No one can hold me down Just watch me win this crown; No one can hold me down
Fly like eagles soar like doves Can’t nobody hold me down
I got life I got love can’t nobody hole me down
So raise your glass fill your cup tonight we’re gonna live it up
Raise your glass fill your cup tonight we’re gonna live it up
Don’t believe in failure we can do it we can rise above it dreams come through
And if you get knock down, you just get back up again
Friend will come and go and the ones we love will hurt and even disappoint too
Be good to people and good comes back to you Chorus: No one can hold me down Just watch me win this crown
Follow the Sierra Nevada World Music Festival on their website: www.snwmf.com
On Facebook: http://www.facebook.com/#!/SNWMFhttp://www.facebook.com/#!/SNWMF