Wednesday, December 30, 2020
Wednesday, December 23, 2020
Royal Blu x Runkus - G (official music video)
Royal Blu And Runkus Remind You To Keep It “G” With New Single | ||
There has been quite a bit of talk surrounding the ever-changing nature of the music emerging from Jamaica these days. It is apparent that many artists and producers have been ‘colouring’ their music with not only the classic, traditional sounds of reggae and dancehall, but with other genres as well, thus creating something entirely unique. This ‘revival’ is no stranger to rising artist Royal Blu who is always ‘pushing the needle’ with his flows and sounds. The most recent product of this is “G”, a traphall song with an old-school dancehall classic beat at its core. The single features fellow Delicious Vinyl Island labelmate Runkus, and is produced by J.LL. The production of the beat came out of a conversation Blu and Runkus had when they were selecting riddims for a freestyle during a sound system show. “I instantly thought of the Stalag Riddim, and these lyrics ended up fitting perfectly on it,” Blu said. "So, from the reception it got at the show, Runkus brought up the idea to sample the riddim and have J.LL. produce it.” Blu describes “G” as a song encouraging people to keep their energy consistent throughout everything. “Since doing music professionally, there have been many naysayers and people who didn’t believe in my sound or image,” he said. “People who avidly tried to block me out. So I’m really just expressing how people can switch up based on success and try to be a part of the ‘bandwagon’.“ Along with the single, a video was shot on location at Blu’s alma mater, the Meadowbrook High School by director Fernando Hevia, and produced by the artists’ record label, Delicious Vinyl Island. It features cameos from fellow artists Leno Banton, Naomi Cowan, Courtni, Zhayna, Jamila Falaka and more. The single is set for release across all streaming platforms on Friday, December 18. | ||
Tuesday, December 22, 2020
Junior Toots Sings Sweet and Dandy
Junior Toots Sings Sweet and Dandy Tribute to His Father
Toots Hibbert
Kingston, Jamaica (December 8, 2020) - Great music never
gets old, especially when Junior Toots releases the newest
remake of his father’s famous track, Sweet and Dandy. The
Toots Hibbert's legacy lives on through Junior Toots, born and
raised in St Mary, Jamaica. The idea to record Sweet and Dandy
came from Toots Sr. who produced the track for his son.
Released on December 8, 2020, marks the day that would have
been the 78th birthday for the recently transitioned Toots Hibbert
or “Nyah” as he was called by his family.
The Artist, in his own right, is a seasoned performer and
professional recording artist. His performances display high
energy, creative lyrics, and a massive passion for Roots Reggae
music. He has graced the stages of festivals and venues across
the USA giving his fans the opportunity to integrate his socially
conscious messages with inspiration.
For musical nostalgia fans, Toots and the Maytals’ original Sweet
and Dandy LP was released back in 1969 on Beverley’s Records
(1961-1971). The title song, Sweet and Dandy was the first track on
the B side of the album. The LP’s other biggest hits were Monkey
Man, Pressure Drop, and 54-46, That’s My Number.
The song is now available on VPal Music Label. It can be
streamed and downloaded from https://orcd.co/sweetanddandy
and all other digital music platforms.
I AM JUNIOR TOOTS
Buy it now from VPal:
https://orcd.co/sweetanddandy
On all digital and streaming platforms
Follow Junior Toots:
Press Contact:
Third World Music Group
| E: TullahCarter@gmail.com | C: 707 332-0747
Wednesday, June 10, 2020
Jubba White Interview
By Shelah Moody
Meet Jubba White. The prolific drummer and producer are one of the artists on the frontlines continuing to make quality music with conscious messages in the age of the COVID 19 pandemic. Streetwise Radio’s Creators Corner: A Chat With Grammy-nominated Reggae Producer Jubba White
On May 15, White dropped the reggae track, “Declaration of Rights,” featuring legendary Jamaican harmony trio, the Mighty Diamonds, and Aaron Nigel Smith. https://m.youtube.com/watch?feature=youtu.be&v=4CnEkCHzCUY&fbclid=IwAR3mcnjnXAymI9bRsw0zVlpWKjmkmTBkU1ZfvZksvxT7IilaAu3K0MNK-28. The video for “Declaration of Rights” focuses on the rights of every citizen to health care, especially during critical times. “Declaration of Rights” and “Concrete Jungle” are the first two singles from White’s upcoming album, “FREEDOM (the Declaration of Rights)” on his independent White Stone Productions label. White recently joined Streetwise Radio for an in-depth discussion.
Q: How have you, as a working and touring artist, been coping in the coronavirus pandemic. How has it affected your livelihood?
A: As a touring musician/artist, the COVID-19 certainly has affected my livelihood. The closure of borders and venues has impacted my most important income stream. However, whatever is happening, is making our work as creative people even more relevant at this time. A world in times like these, without any form of art, would be devastating.
Q: Tell us about your remake of the reggae classic “Declaration of Rights” and how it relates to the world situation today. Who originally recorded the song?
A: The declaration of rights has been one of my favorite songs by the Abyssinians (the original writers), but there was also a version done by the Mighty Diamonds, which was released in the 1980s. I have had the opportunity to perform their version with them a few times on tour in my earlier years. I developed a habit of paying tribute to the founding fathers and pioneers of reggae music, by choosing to cover songs by them that resonate with me. This time, it is “Declaration of Rights.” It is quite relevant today but more-so timeless; both songs are.
The marginalized and oppressed need a voice, and most times, that voice needs to come from those who are being oppressed themselves, but understand how to echo strength and resilience through their words and actions.
Q: Tell us about your experience touring and recording with the Mighty Diamonds?
A: My experience working with the Mighty Diamonds has been unforgettable, and significant. The very first opportunity I had to tour; the Mighty Diamonds were among the artists I was with, and I was a teenager. The impact those experiences had on me created the foundation for further development, which by my own interpretation, has been positive.
With that said, I feel very honored to be doing a project that they participated in.
Q: Give us a brief history of your musical background and how you ended up in the Bay Area?
A: My love for music started as early as three years old. I use to drum on pots and pans with utensils and sing loud in the home. At around eight years old, I was playing the drums in the church and singing at events. My dream was to play music and I took every chance I had to do so. After high school, I enrolled in Edna Manley College of the visual and performing arts (Jamaica), to study Caribbean, Latin American, and jazz music, but two years into college, my first opportunity to tour internationally came. This was great because it’s an experience I shared with friends I grew up playing music with.
We went on to tour together with several artists for years, in many parts of the world. We also had experience performing jazz and popular music in the tourism sector, where we performed in hotels. I’ve had the opportunity to participate on several successful projects in earlier years as a recording musician. Some of the projects that come to mind are: “Freeman,” by Burning Spear, (Grammy-nominated album of 2003), the “‘I Swear” riddim, released by 5th Element Records, and the “Overstand” Riddim by Pow Pow records. As early as 1997, I was a part of the support band for Bushman and in 1999, for Junior Kelly. Both were premier artists at the time. Both bands which I was a part of played an instrumental role in their live shows and some of their recordings. References may be found in the notes of albums such as “Signs” (Bushman), “Smile” and “Tough Life” (Junior Kelly).
Other popular singles included, “Ready to Party” by Voicemail and “Downtown Girl” by D’Angel. Both songs on the Champagne records label. “Music Alone” by Ginjah and “Calm Dung Yu Nerves” by Bescenta are also songs to mention.
In 2003, the idea to start a Dub project resulted in Dubtonic Kru; and the brand was established in 2006. As Dubtonic Kru, we toured to many places across the globe, —inspired and co-created platforms that helped in the resurgence of band culture in Jamaica and live music in general. Such events were the annual Bands Incorporated and the weekly Plug N’ Play in Jamaica. In 2012, after a few years of intense touring, most of the time spent was spent in the US. The decision was to have the family closer to where the majority of our activities were, and the place of choice was the Pacific NorthWest.
Q: Tell us about some of the current projects you are working on?
A: The current project is “FREEDOM” [the declaration of rights]. It’s an eight song ep, which also features Mighty Diamonds singing their version of “Declaration of Rights” featuring Aaron Nigel Smith on Abyssinians version of accompaniment. There are more in the works but right now, it’s about “FREEDOM.”
Q: What will the music industry be like in post-pandemic culture?
A: It’s hard to say, but so much has been moving towards a virtual world for so long. However, my experience shows me that human beings are meant to interact with each other, and music brings us together, but the virtual aspect of it will remain. It will continue to play a big role in what we do with continuous evolution.
Q: What’s the key to producing a great reggae song?
A: My personal opinion is, it has to be in you. You have to feel it in order to effectively create an emotional experience. It’s about connecting with emotions in a true way. However, some may judge a great song by its popularity, which in a lot of cases it’s true, but equally as much not.
Popularity most times have to do with effective marketing, which does make things easier when your product is considered good.
Q: Can you name some resources available to musicians in post-pandemic culture?
A: The resources that might be available to musicians, post-pandemic are already pretty much in full swing: virtual platforms and streaming. The tech industry has been at the forefront for over a decade and becoming even more relevant. Most platforms that offer such service and experience, are geared towards being some of our main resources for the future.
To buy or stream the “Declaration of Rights,” go to https://ingroov.es/declaration-of-right?fbclid=IwAR0A6AW5BrvqB6I4bQg6Calocm3Yaf3XypO5G9rGvbh78mmU6445xerHcfMhttps://ingroov.es/declaration-of-right?fbclid=IwAR0A6AW5BrvqB6I4bQg6Calocm3Yaf3XypO5G9rGvbh78mmU6445xerHcfM
Tuesday, October 29, 2019
The Evolution of Reggae's Royalty 1st Lady, UNA MORGAN
The Evolution of Reggae's Royalty 1st Lady, UNA MORGAN
MPR CONSULTING - Amid the 2015 historic Catch A Fire tour uniting Reggae's legendary families Morgan Heritage, Marleys and Riley's (Tarrus Riley), Morgan Heritage's 1st lady Una Morgan fell ill and removed herself from the limelight to focus on both her physical and mental health. And like a phoenix rising from the ashes, the accomplished daughter of veteran reggae crooner Denroy Morgan is now soaring to new heights.
Evolution: the gradual development of something
Growth, introspection, and faith has given the songstress a fresh outlook on her life, and her self-reflection gave birth to "Evolution", the lead single from her highly anticipated “Ragga Princess” solo album. “EVOLUTION is a testimony of my life until now. A lot of us as human beings have to go thru a rude awakening to really see what life is all about. We go thru challenges to find ourselves all the time. This song tells my story and I truly believe a lot of folks will be able to relate. I Am Ready!” EVOLUTION to da world!" - explained the effervescent singer-songwriter.
Produced by Hakim Abdul Samad and written collaboration by Una Morgan, Myzel Faison (Hood Pres), Jahdiel Morgan (Jah D), and Beada Briglia, the stirring single features rappers Hood Pres and Jah D alongside Una Morgan.
Didn't know who I was supposed to be
Didn't know who I was
Being the girl I thought I should be
Put my life on pause
At times I didn't feel right living in my own Mind
Evolution is now available on all major streaming platforms and digital outlets
https://smarturl.it/unamorgan-
Wednesday, July 3, 2019
Community Mourns Loss of 2019 Festivals: Reggae on the River and the Sierra Nevada World Music Festival
By Shelah Moody
“Reggae on the River and the Sierra Nevada helped to groom me into the musician I am today. It saddens me to lose such dynamic festivals/reggae family gatherings as these.” —Alreca Whyte, Groundation the Next Generation
“Reggae on the River has been canceled. Refunds will be issued to all ticket holders within 10 business days.”
This is the message that currently pops up when you log on to reggaeontheriver.com.
On June 17, it was announced that Reggae on the River 2019, which had been scheduled for Aug. 2-4, at French’s Camp Piercy in Redway, CA, had been canceled.
Reggae on the River was established in 1984 as a benefit for the Mateel Community Center, which had been ravished by fire.
In 2018, Reggae on the River Festival announced a new strategic partnership with the country’s leading marijuana magazine, High Times Productions, to grow the iconic music and culture celebration.
“High Times had exclusive right to produce the event as of 2017, so it was their decision wholly to cancel the event,” said Eryn Snodgrass, Mateel Community Center board treasurer, and production assistant. “They didn’t provide us with a lot of reasons, but from what we can gather and from what they told us, they were facing another large loss in spite of their efforts. It really came down to, they weren’t getting the ticket sales and the interest and the support of the community for them to produce the show.”
A key question remains: will Reggae on the River 2020 and subsequent festivals take place?
“We at the Mateel are certainly hoping that we can carry it on in one way or another,” said Snodgrass.
“We have to get out of our production contract, and (High Times) has indicated that the Mateel might have the option to do the festival again, wherever it might be. They’ve indicated that they want to do what’s best for the Mateel, for sure. I can’t really speak beyond that, because we are still in the contract with them.”
Snodgrass said that the Mateel community will indeed produce an event the weekend of Aug. 2-4 2019, called “Reggae Legacy,” a tribute to one of Reggae on the River’s founders, Carol Bruno, who passed away this year.
“This event will be in honor of Carol Bruno’s life,” said Snodgrass. “We wanted to honor Carol and everything she did for Mateel and Reggae on the River. It will be flown under the “Mateel Forever” banner. It will be billed as “Reggae Legacy,” and you can look at our Facebook page, https://www.facebook.com/mateel/
for all the breaking news. We’ve just announced Toots and the Maytals for Sunday, Aug. and we will be announcing the headliner for Sat. Aug. 3 on Wednesday, July 3. It will be back to back nights at Mateel Hall.”
At press time, High Times could not be reached for comment.
The cancellation of one of Northern California’s most popular music festivals marks the end of an era. Since 1984, Reggae on the River, a three day summer celebration, has presented the best in music including the Marley family, Lucky Dube, Steel Pulse, Toots and the Maytals, Beenie Man, Groundation, Fenton and the Reggae Angels, Johnny Clegg, Marcia Griffith, Lady Saw, Judy Mowatt, Oliver Mtukudzi and more.
It was indeed a sad day for musicians, performance artists, writers, photographers, producers, stage managers, sound engineers, vendors volunteers and especially concertgoers and campers. Naturally, the loss of revenue generated by the festival will impact not only the Mateel Community Center, a non-profit, but also hotels, restaurants and other local businesses near Redway.
Sadly, a few months prior to the cancellation of Reggae on the River, the organizers of Sierra Nevada World Music Festival, held annually in Boonville, CA during Father’s Day Weekend/Summer Solstice in June, announced its cancellation. (www.snwmf.com). Sierra Nevada, which had been going strong for 26 years, was canceled this year due to the illness of its founder and organizer, Warren Smith.
The 2019 Island Reggaefest, (https://www.islandreggaefest.com/) an annual celebration of Caribbean and Pacific Island culture which had been going strong for seven years in Santa Clara, CA, was also canceled.
“Reggae on the River was THE place for young and old to gather and celebrate the awesome powers of reggae music.” said Harrison Stafford, founder and lead vocalist of Groundation. “I can remember going to the festival throughout the 1990s as a place where like minded people witnessed great performances by the legends straight out of Jamaica. This fueled me personally through high school and into university where I would form the group Groundation and eventually in 2003 we would perform for the first time at Reggae on the River. Later, I would meet Carol Bruno and other members of Mateel Community and they would partner with us on local shows in the Humboldt area. Reggae on the River was an iconic festival that stood as the cornerstone of reggae music in the United States. Now it’s like, if Summer Jam In Germany or Rototom in Spain were to stop, there would be a hole, a vacuum we’re once thousands of soul searching people would gather in the name of unity and love through the magic that is Reggae music...today in Northern California, we are a people without a festival
Other roots/reggae festival devotees, like singer Alreca Whyte, who has performed at both festivals with acts such as Sister I-Live, Fenton and the Reggae Angels and others, feel the loss.
“I used to relish in the ability to be starstruck for a weekend. I remember planning my vacations to Jamaica so I'd always be here the first weekend in August for Reggae on the River and fit Sierra Nevada in as well. I used to be frolicking around backstage with the other youth my age and hailing up the grownups like Della and Ralston Grant, Carol Bruno, who always greeted me with a smile and hug, MC Rocky Bailey, Jah Son—names are too many to mention. Reggae on the River will be greatly missed.”
Many veteran journalists such as Carmelita Harris, producer of Irie Vision TV reggae show, and Michael Ealey of Streetwise Radio would faithfully make the pilgrimage to Reggae on the River and Sierra Nevada each year, documenting each act and attending press conference between sets.
Harris said she noticed that Reggae on the River 2018 was challenged by a lower attendance rate and lack of security in the media parking area, which led to a renown photographer getting her equipment stolen. Harris said she will miss filming the international as well as upcoming artists that Reggae on the River presented. Harris said that despite last year’s shortcomings, Reggae and the River is still her favorite festival.
Beverly Shaw, aka Sista Irie, a writer, photographer and radio personality from Austin, TX, has traveled hundreds of miles to cover Reggae on the River and Sierra Nevada.
“The 2019 cancellation of two major U.S. roots reggae festivals does tremendous damage to our country’s ability to enhance and sustain the progress made in the past 25 years,” said Shaw. “Overall, the U.S. remains sadly deficient compared to Europe, Japan, and other countries in its ability to support the roots reggae message.
“Reggae on the River and the Sierra Nevada World Music Festival ensured an ongoing education regarding the cultural roots of the original creatives. This process is critical to the future understanding and acknowledgment of reggae’s cultural evolution.”
Perhaps more than anything, Reggae on the River was a communal experience, where people would gather to share music and good vibes, sharing food, water, rides and camping spaces and of course, stimulants such as ganja. The same with Sierra Nevada.
“I started bringing my children to Reggae on the River as my family grew so they, too, could frolic with the youth their age,” said Whyte.
“It was like a family tradition. It was such a part of the normalcy of life for me that their cancelation leaves a part of me empty. With the recent loss of some of reggae's great artists and musicians, this is just another blow to the conscious California vibes that we have all come to love. I grew musically because of these festivals. They were platforms that put normal girls like myself from my tiny seaside town in Belmont Westmoreland, Jamaica and put us in front of huge audiences. Reggae on the River and the Sierra Nevada helped to groom me into the musician I am today. It saddens me to lose such dynamic festivals/ reggae family gatherings as these.”
According to Shaw, Reggae on the River and the Sierra Nevada provided an atmosphere much like a family reunion where business, entertainment, and spiritual healing came together in a spirit of upliftment sorely needed in today’s times.
“I pray both festivals will find solutions in a spirit of one love and unity,” said Shaw. “In particular, I pray for the improved health of Warren Smith who devoted his life, along with wife Gretchen, to give us 25 years of unforgettable memories.”
Sunday, May 26, 2019
The Late Ones
(Laie, Hawaii) – Rising conscious reggae/hip-hop band The Late Ones have just released their single “Tell Me Not” via tastemaker label Easy Star Records. The band has been bubbling on the US reggae scene for a few years, while they put together an album’s worth of material to release. Working closely with the Easy Star Records team over the past year, the group is finally ready to begin releasing material, starting with this single. A full album is due later this year.
Born in Gardena, California and based out of Laie, Hawaii, The Late Ones harness something undeniably special. Brothers Tui Avei (Lead vocals), and Tau Avei (Vocals), along with cousin Josh Brunson (Vocals), are the voices of the group. Rooted in Samoan culture, and complemented by the group’s African American heritage, the familial bond between the three members transcends throughout the group’s conscious lyrics and catchy melodies. The name “The Late Ones” pays tribute to all of the late, great revolutionaries who have come and gone like Bob Marley, Tupac, Jimi Hendrix, Steve Biko, and John Lennon, just to name a few. It is the fusion of each revolutionary story, struggle, and message that inspires and resonates with The Late Ones’ own story, struggle, and love for all genres of music. That is the “L81Z” sound.
The band’s new single “Tell Me Not” is a soulful track about authenticity in relationships. Conscious lyrics flowing over a solid beat, a funky bassline, and smooth guitar licks create a sonic appeal reminiscent of great hip hop collectives like The Fugees and The Roots. “The inspiration behind ‘Tell Me Not’ comes from the unconditional love and support that we receive from that one girl who through thick and thin, has stood by your side,” says the band.
Recorded with Noah Cronin at his studio in Kalihi, Oahu, Hawaii, “Tell Me Not” came to fruition out of pure chance. “It really wasn’t a decision to record there, it just kind of happened to be perfectly honest,” says Tau. Imua Garza from The Opihi Pickers played the guitar licks over the track, and Tau notes, “we were very happy to have him bless the track for us.”
The Late Ones bring a youthful presence to the reggae community, along with a unique spin by bringing in old school hip hop to the mix. With their upcoming release, the band hopes to push their music and message beyond their tight knit homeland of Hawaii. They will hit the ground running this spring to tour across the US. Look out for upcoming tour dates here, and check out their new single “Tell Me Not” on Friday, May 24th via Easy Star Records.
Upcoming Tour Dates:
MAY 24 – Monterey, CA – Planet Gemini Taqueria & Club (Official Cali Roots After Party)
May 25 -- Stateline, NV -- Harrah's Lake Tahoe
May 25 -- Stateline, NV -- Harrah's Lake Tahoe
Tuesday, May 7, 2019
San Diego Reggae Vegan Fest
San Diego Reggae Vegan Fest at Liberty Station on Sunday, July 21 Announces Reggae Superstars Third World, The Movement, Yami Bolo, Iakopo, and Many More, Plus Vegan Food and Drink, Speakers on Health and Environment
Every ticket sold feeds 10 children.
Go Vegan Radio (501(c)3) presents the 1st ever San Diego Reggae Vegan Fest on Sunday, July 21, 2019 at Liberty Station / NTC Park - Prebble Field from 12 noon to 9pm.
The headliner, Third World, celebrates 45 years as one of reggae's most iconic legendary bands. Third World is one of Jamaica's most consistently popular crossover acts among international audiences. Mixing in elements of R&B, funk, pop, and rock and, later on, dancehall and rap, Third World’s style has been described as "reggae-fusion."
With 10 Grammy nominations and a catalogue of charted smash hits, including (“Now That We Found Love”, ”96 Degrees in the Shade” and “Try Jah Love”), spanning over four decades, sold-out tours, a vibrant and loyal fan base and inspirational messages make this band a festival favorite.
Co-headlining at San Diego Reggae Vegan Fest is The Movement, a band formed in 2003, whose debut album "On Your Feet" has been heralded as one of the Top 10 Reggae Rock albums of all time. The Movement's "Side by Side" release in 2012 debuted at #2 on the Billboard Reggae Chart, followed a couple years after with "Golden", #1 on iTunes and #1 on the Billboard Reggae Chart, and voted 2016 Album of the Year by Surf Roots Radio. The Movement has performed at the Cali Roots Festival, Reggae Rise Up, Levitate Festival, One Love Cali Reggae Fest, and Closer to the Sun.
Also starring at this event is Yami Bolo from Kingston Jamaica, who has been releasing singles since the 1980's. He gained international acclaim in the mid-90's for his collaboration with Japanese reggae performer Miya led to 500,000 record album sales in Japan. The duo also won the title of Best Music Video in Japan in 1994. Bolo was a part of Damian Marley's 2001 Grammy - winning album and has collaborated with other top stars. He will be backed by Quinto Sol.
Southern California native Iakopo burst on the music scene in 2007 with the hit single "Let Your Light Shine". The artist signed with Sony Japan, and his 2016 hit "Touchdown" featuring Shaggy made him an international sensation. His new album "Waves", recorded in Hawaii, was just released featuring the single "Never Letting Go".
The line-up also includes Jamaican roots-reggae vocalist, songwriter, recording and performing artist, Empress Akua; local roots-reggae favorites, Prime Livity; Lamour & the Mystik Band fronted by General Jah Mikey; Sensi Trails; and Drifting Roots. Line-up subject to change.
While reggae music is centerstage for concert activities, vegan food is centerstage in the festival with a veritable smorgasbord on tap from some of the area's top restaurants and chefs, some doing food demonstrations. Also, on tap will be a variety of unique beers, wines, and kombuchas in the 21+ garden, while the event is fun for all ages and children 12 and under are free.
Speakers will be on stage between musical performances and in the event's "Free College of Vegan Knowledge" — an area open to ticket holders and free to the general public, where health professionals, authors, activists, chefs, athletes, and poets will be scheduled throughout the day.
Each ticket purchased feeds vegan meals to ten hungry kids around the world through a partnership with Food for Life Global.
Non-Profit Go Vegan Radio has a rich history in event organization, starting in 1999 with the vegan "San Diego Fall-Fest" in Ocean Beach, followed by WorldFest—LA in 2000 (now VegFest LA). Along the way, there were vegan festivals in Orange County and the San Fernando Valley, and the World Vegan Summit & Expo in LA and Berkeley. LA Reggae Vegan Fest debuted last year, celebrating the vegan - or Ital - roots of reggae. The 2nd annual LA Reggae Vegan Fest is September 15th at MacArthur Park.
“Reggae Vegan Fests are committed to ‘One Love, All Species,’ for the animals, for human health, for environmental sustainability”, says event producer, Bob Linden, president of the non-profit: Go Vegan Radio Inc., “The ‘One Love’ philosophy includes the animals.”
Bay Area - based Linden is no stranger to San Diego. He was Program Director of 98.1 KIFM in the heyday of that station's greatest popularity around 1990. Bob was active in the animal rights community and at the forefront in defense of the seals and sea lions and the rookery in La Jolla. "Go Vegan Radio with Bob Linden", the first vegan talk show in mainstream media ever, started in 2001, and was subsequently heard on the Air America Radio Network, on KLSD and KCEO in San Diego, and K-TALK in Los Angeles, and CBS and Clear Channel radio stations across the country. It continues as a weekly podcast at www.GoVeganRadio.com
Tickets for the San Diego Reggae Vegan Fest are $25 in advance and $40 at the gate. Advance tickets are available at www.ReggaeVeganFest.com and on the Eventbrite ticketing platform. Kids 12 & under are free.
Liberty Station / NTC Park - Prebble Field is located at 2455 Cushing Road San Diego, CA 92106.
For more information, contact info@ReggaeVeganFest.com
310-571-8623.
Line-up updates are available on www.facebook.com/
Friday, April 19, 2019
420 Day
420 Hippie Hill Gathering in Golden Gate Park
- When
- Sat Apr 20
- Where
- Golden Gate Park
- Time
- 9am - dusk
- Cost
- Free
- Tags
- Marijuana / Cannabis, Community
4/20 at Hippie Hill is a San Francisco tradition said to date back to the1970's. Each year, tens of thousands of people organically arrive from all over to celebrate the use of Cannabis. This years celebration is very special as it marks the first year that cannabis will be legalized for adult-use in California, and the second year that the event will be officially organized in partnership with various city departments.
See full list of events on Saturday April 20th here:
https://www.sfstation.com/2018/04/13/bay-area-420-event-guide/
WHAT TO EXPECT
The event will remain free and open to the community
Dedicated Food area - Munchie Land!
Permitted food and retail vendors only
Unified sound system for background music
Increased amount of port-a-potties in & around the park & neighborhood.
Added security in and outside the park
A fence to enclose the entire venue so attendees can be monitored to ensure compliance
Medical Emergency services: EMT & Ambulances on-site
Dedicated clean up crew for the Upper Haight and surrounding neighborhoods
Monitored entrances to the event area
No Minors under 18 allowed in event area
RESTRICTED ITEMS
The items listed will not be allowed in the event area.
Unpermitted Vending not allowed - permits must be obtained through event organizers. General street vendor permits not accepted.
Tents, Canopies, Tables, or other structures
Coolers larger than 9”x12”
Barbecues or cooking equipment
Amplified Sound Equipment
Generators
Glass
Wagons or Carts
Drones / aircrafts
Weapons of any kind
Pets (service animals ok)
Street Closures:
"Please note that starting at 6AM on Friday, April 20th that JFK Drive between Kezar Drive and 8th Avenue will be closed to the public and vehicles, as well Nancy Pelosi Drive and Bowling Green Drive all the way to MLK Jr. Drive." via @RecParkSF
Map: https://twitter.com/RecParkSF/status/986687657005670400
More information here:
https://www.420hippiehill.com/
Is this a free event?
Yes, this is a free event.
What time should I get there?
Gates open at 10:00 a.m. PST. We HIGHLY SUGGEST early arrival as entrances get congested in the later afternoon you do not want to miss the legendary moment.
What time will the event end?
All music and event programming will end at 5:00 p.m. PST, and all attendees must exit the official event grounds by 6:00 p.m. PST.
Do I need to bring proof of registration to the event?
Proof of registration is not required. Eventbrite registration is not required.
What is the age requirement to attend?
You must be 18 years or older to attend the event.
Can I purchase cannabis inside the event?
Currently as the city still works to create regulations and ordinance around Cannabis events, sales of cannabis inside the event is prohibited. We strongly discourage patrons from buying any unlicensed untested product that they may come across inside the park. There are many great dispensaries all around San Francisco you can stock up at prior to the event.
Can I bring my own Cannabis?
Yes, you can bring your own cannabis into the event. We have a strict no glass rule, do not bring your glassware or glass storage containers. This is a safety precaution. One of our sponsors will be giving out free rolling papers!
Can I bring food?
You may bring food as long as it is not in large coolers or trays. We do not allow mass distribution or sale of food products. Any large amounts of baked goods or food items packaged for distribution may be confiscated by security at the gates.
What if it rains?
This is a rain or shine event.
Can I bring my children?
No minors, regardless if accompanied by a parent or guardian, are allowed into this year’s event. Anyone under the age of 18 is prohibited from entering.
Can I come in and out?
Yes, This is a free event. You may exit and re-enter.
Can I bring my bong?
Only if it is not glass. For safety reasons we have a no glass rule.
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